One of the reasons why I started the man and the machine project was to explore how to create an space that was holding it self. In a one-on-one session I’m holding space for the other person, by actually continuously adapting to the client. In a workshop I shape the space by selecting exercises and guiding along the way. But I’ve also been curious about how much the space can do by itself.
This is an description of the technology behind the interactive soundscapes that I’ve mainly been building as a part of the man and the machine project. It is aimed for non-nerds to explain what I do to artist of other disciplines.
The technology is modular. This means that is works like lego bricks, so it can be picked apart and reassembled in many different ways. That allows the evolution of project, so similar to a theatre production, I do rehearsals to learn more about how I want the lego bricks to be put together. The final result is some kind of machine that interacts with the human outside.
