
I often contemplate the process of learning while watching the flames of wood infused with human fears and dreams burn into the long dark night of the soul. What exactly is taught or even wished for by my students? Sometimes I think I learn more from how my kado teacher (the Japanese art of arranging flowers) greets me in the morning and brews the tea we share; than from the things she says about cutting leaves, shaping branches and picking flowers. There is a way of being, being taught, by being. In Japanese, it’s called dō or the way. The way things are being done. So when people ask me exactly what will happen when we venture into the realms of sadomasochism and esoteric eroticism, I get scared that I will conceal the magical forest by naming all the botanical specimens. The naive part of me wants to simply say – trust me; I’m a careful gardener.
However, if I break down my teachings, there are four philosophical themes—surrender, power, desire and shame. Surrender is the most introverted process; sure, you’ll always work with others, but it’s a profoundly personal journey to discover what you need and want to surrender, and the primary modality is rope bondage. Power, on the other hand, is relational. It’s submitting your control to empower a dominant and discover what they will do with this power, what sadomasochistic play you will create together. Desire is a group process where you’ll be a part of a kinky family, a little bit like a theatre ensemble, that will unfold their shared deviant fantasies through rituals and play parties. Finally, Shame is an extension of surrender, which focuses on the emotional over the physical.
When I teach, there are a few basic rules.
First, I’m not your Guru Buru.
If anything I say doesn’t make sense to you, don’t do it. You can always ask me for an alternative or simply do your own thing. But don’t try to be a ‘good’ student.
Secondly, all emotions are welcomed.
And so are all parts of you. When I demonstrate a particular exercise, there will be an emotional non-verbal dialogue with my assistant. Don’t try to copy our emotions. Instead, have your own journey. For me, a group process is perfect when someone is laughing, another is crying, a third is moaning, a fourth is confused, and so on.
Thirdly, no fucking charity.
When you are doing exercises, pairing up and joining rituals. Even if you promised someone beforehand, and it doesn’t feel right in the moment, listen to the latter. Don’t do things out of charity. I take pride in trying to provide structures where it’s easy to opt out without creating an awkward situation for anyone.
Finally, group processes do not replace therapy.
While my work may have a therapeutic effect, and you’ll definitely learn a lot about yourself, they are not aimed to be therapy. If you are wrestling with trauma having a private session with me is much better.
Agenda

Philosophical Themes

ANDY BURU
on
SURRENDER

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ROPE

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RITUAL

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PARTY
WHAT IS SURRENDER?
To surrender is to let go and fall, trusting that one will be caught, by life, by love, by wonder, by another. Surrendering brings great pleasure when one learns to let go of controlling the body, the emotions, and the ego and devote oneself to something greater. It’s applicable in lovemaking as well as in life in general. But unfortunately, there is an overvaluation of power in today’s society, and everyone is fighting for it, while surrender is undervalued.
Moreover, surrender touches upon masochism, physically enjoying endorphins rushing through the body and emotionally letting go of shameful limiting beliefs. The basic idea I learnt from Zen Buddhism is that bliss emerges when we stop fighting and accept life as it is, and then there is no suffering. Before psychology considered masochism a disease, religion thought it to be the cure. And I think there is something to that when it’s conscious and consensual. In my experience, anyone can enjoy it, or at least find it meaningful when it’s slow enough and well-balanced between safety and bravery.
Surrender belongs to the feminine aspect of the esoteric erotic polarity. Still, I believe it’s essential for everyone of any (and no) gender to incorporate it into themselves as self-development and passion for lovemaking. While teaching surrender, I also indirectly teach how to hold space for anothers’ process of letting go. Participants describe it as intimate, vulnerable and trusting. And it makes them more resilient to the hardships of life.

ANDY BURU
on
POWER

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WHAT IS POWER?
Being dominant is vulnerable because one has to expose their desire for power. The more deviant and taboo, the scarier it is, but still, both mainstream media and the sadomasochistic subculture overflow with caricatures of emotionless masters and mistresses hiding behind their cruelty. Instead, I think one should blossom in their raw self-expression. Power is an opportunity to explore new avenues of esoteric intimacy that are profoundly energetic and sensual. Far beyond plain and mundane fucking. Learning to wield and surrender to power consciously and consensually requires a great understanding of one’s boundaries and being safe and brave enough to reject anyone overstepping them. At the same time, one should be humble and have humour; anyone that has to assert their power with violence doesn’t own it.
Power is given to someone that deserves it because of their deviant creativity, rocksteady presence, and ability to create magical spaces. Discovering one’s very personal dominant persona is a journey which will significantly affect what kind of submissives they will attract. Luckily sadomasochism overflows with expressions of power, and there are several rituals to practice and embody. And learning the symbolism of fetish items is a priceless tool for this transformation. Being dominant is a paradoxical balance between holding space and being selfish. Holding space is learning how to create a safe container for oneself and others to play with power while being selfish is expressing desire.
But eventually, one realizes that the real key is to stop ‘the doing’ and simply be dominant and do as one pleases as if it is the most natural thing in the world. As dominance belongs to the masculine aspects of the esoteric erotic polarity, mastering it beyond gender becomes a way to simultaneously make a parody of existing power structures while reclaiming a more healthy relationship to masculinity. Playing with hierarchies in the ‘bedroom’ makes one more resilient to them in everyday life. And, of course, as in any play with polarity, there is also space to plunge into the other end – the submission and surrender – to learn, challenge, and worship. In old-school leather culture, no one would ever be allowed step into the boots of the dominant before wearing the collar of a slave. But I promise I’ll be both more flexible and gentle.

ANDY BURU
on
DESIRE

40%
RITUAL

30%
PARTY

20%
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ROPE
WHAT IS DESIRE?
The most deviant nightly desires are often precisely the same things we rebel against during the day. Yes and no is closer to each other than feeling nothing. This is why we need contained rituals and conscious and consensual play parties. I believe that desire is like a seed buried deep in the subconscious; while it grows, it shapes our creativity and eros. If desire remains repressed, it will manifest itself in the most unexpected places. That’s why most people feel safer in a sadomasochistic dungeon than in a nightclub or even at the office.
Playing with desire borrows a lot of modalities from theatre, like mask possession, character creation, and ritualized scenes. And it teaches how one person’s desires can co-exist and even enhance the desires of another or a group of others in a sort of wordless negotiation. Play parties are often the arena of these fantasies, birthing endless, dream-like explorations into experiences that would be unimaginable in everyday life. The following morning, everything is slow; it’s like the world is readjusting itself back to normal again while the tribe is celebrating and integrating their wounds and victories, knowing that the results will revibrate far into the outside world.
Exploring desire is a layered process. When one layer peels away, another one appears. And there is an opportunity to deconstruct almost anything, like sexual orientation, gender, fetishes and kinks. It’s an empowering process of rediscovering oneself. However, desires are rarely a solo activity; if they were, they are likely to have been explored already. So exploring desire is a group process through interactions and witnessing. Seeing each other’s desires validates them, giving them life, and that makes us all both braver and safer because the shadows are out in the open.

ANDY BURU
on
SHAME

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PARTY
WHAT IS SHAME?
Laws and shame govern the world. A monopoly of external violence enforces the law, while shame is internally self-regulating based on what we believe is right and wrong. And very often, we are harsh judges and deem ourselves unlovable. Playing with shame is paradoxical because we consciously and consensually invite another into this internal process. May it be a loved one or a witnessing audience. And hopefully, their violently harsh and caretakingly sweet judgements are more loveable than our self-sabotaging and limiting beliefs. Kill it with love, and marvel at the process. Closely related are humiliation and degradation, to be put below something, abandoning all pride, being made one with the earth’s dirt. Descending this abyss makes us humble towards who deserves it. Or perhaps life itself.
Playing with shame requires elegance, as it is an emotionally masochistic journey. Too much physical hardship scares the shy shame away, so one must master their bondage and whip to a level where they become keys to the subconscious. Just as physical masochism, shame raises arousal, blood rushing to reddening cheeks, and therefore marries well with esoteric eroticism. But if it’s too much, we shut down, disassociate, and freeze. It’s a tender balancing act. Many are often also ashamed of their sexuality for being too much, too sluty, or not being enough, too prude. The madonna and the whore. Temporarily leaving these intimate judgements to another allows one to indulge, submit and surrender.
Shame is also at the heart of erotic rope bondage; by exposing, shaping and presenting the body, we touch the mind and soul. Physically challenging ties partially suspended in the air may serve to wither down the protective walls that we so desperately try to lower by ourselves. To let others in, to be vulnerable. Did I say that consent is key? And so is the face because it is how we present ourselves to the world, in language and gestures; it wears the duality crown of beauty and intellect. Expect clamped tounges, devious seductive words, drips of drool, and rope-leased necks beckoned to follow along. But, most foremost, expect to be seen in your shame, vulnerability and beauty.
What does it mean?

In reality, I teach all these three themes on three different experience levels. In Japanese, there is an expression called shuhari. It means to obey (shu), to question (ha), and to leave (ri). And it reflects my views on having a ‘good’ teacher-student relationship.
Ⅰ
Obey
To obey is the peaceful and curious beginners mindset. It requires almost zero previous experience or practical knowledge. You may be asked to spend a couple of hours reading a text or watching an online tutorial beforehand. More focus is on going slow and establishing consent within clear instructions and exercises. The goal is to hold your hand tightly but still allow little detours and personal journies as you are introduced to the subject. You don’t have to know beforehand what you like and don’t like. You need no desires or fantasies. Instead, the teaching style will provide you with a smorgasbord of experiences to try, of which some you might love and others you might hate.
Personally, looking at my rope bondage practice, I tend to always circle back to obeying the basics. So the more advanced I get, the more basic my longings become.
Ⅱ
Question
To question requires the courage to know what you want. And that takes some previous experience and practical knowledge. If ropes are involved, you should be able to wrap the upper and lower body, creating something stable that can take the weight and attaching new ties to existing structures for partly lifting the body. You should also have experience with how your body and mind react in vulnerable and intimate situations and how to communicate your boundaries. It’s beneficial if you also have an idea about the fantasies and desires that lead you to these explorations. You will probably also be introduced to new niche techniques and be given both practical training and time to play. The goal is to provide you with a journey where you can surprise yourself and hopefully question both your beliefs and my teachings on the subject.
Ⅲ
Leave
To leave is the last step to become your own master. It requires you to already have a practice of your own. If ropes are involved, your technique must be good enough to suspend your partner or be suspended yourself, at least partially. You are assumed to have an understanding of consent, non-verbal communication, and all the grey zones that come with it. And have a sense of your traumas, triggers and possibly risky behaviours. The exercises are more ritualistic and experimental and go on longer without breaking the play for snack breaks and check-ins. There is less focus on practical skills, as you are assumed to already have a big enough pallet to play, and instead, there is more emphasis on creating an environment for you to master your craft.
Sayōnara, ‘goodbye’
literally ‘if that’s the way it is’.
Below is the botanical list of techniques that I use when teaching.

Rope Bondage

Japanese way of bondage
Shu-ha-ri; to obey, question and leave. Your muscle memory will be drilled in some repetitive patterns (probably inspired by the Japanese granddaddy of ropes, Yukimura) while the mind is left to question your personal story for playing out these sadomasochistic desires.
Modern European improvisations
Inspired by dance, theatre and bodywork, we will approach rope bondage as a listening practice. Listening to yourself, your partners, and the time and space around you. Attempting to dissect and recompose rope as an intimate bond between people.
Exploring intimacy without sexuality
Everyone longs for intimacy, but it is often confused with sexuality. To fuck, as if that was the grand goal of all relationships. Learn to slow down, be more creative, and discover a myriad of other paths exploring intimacy.
Eastern and Western Eros
You will learn to create “a session” as a joint exploration of desires. We will work with defining identities, kinks and dynamics but also letting go of them and let passion rule. How much of your deviant self do you dear to express in your bondage?
Letting go of shame
If tight ropes and contorted body postures express physical masochism, then shame is the core of the emotional counterpart. Beauty, competence and elegance are all masks we wear to fit in. What if they are dropped or lovingly torn off to expose that raw, unfiltered you?
Surrender as a strategy for life
People who learn to endure are more successful in capitalistic life. Google the marshmallow challenge. However, people that endure are also the ones who burn out, get emotionally numb, and often wonder if life hasn’t more to offer. Welcome to try surrendering instead.
Connecting to esoteric eroticism and therapy
What is a spiritual practice, and what is nourishing for the soul? Rope bondage takes most people on vulnerable and intimate journies. Of course, it can just be for funs, but it’s also possible to give your actions a deeper meaning through ritual, intention and dedication.

Sadomasochism

Pain, predicaments and (f)punishment
Bodywork and breathwork
Tripping without drugs on endorphins and dopamine
Domination and submission
Sadism and masochism
Philosophical ideas about power
Fetishism, leather and rubber

Rituals

Tea and death ceremonies
Trauma and inquiry work
Playing with rejection and desire
Devotion to people and the mystery
Embodied meditations and dance
Long-term sensory deprivation
Exploring archetypes and symbols

Play Party

Discovering fantasies and taboos
Theatre and contact improvisation
Deconstruction of personality
Consent and boundary practices
Ensemble and group collaboration
Role-playing and mask possession
Temple spaces and ceremonies

Please teach in my town!
I don’t manage the retreats myself; I only travel and teach. But don’t hesitate to reach out if you feel called to organise for me. You need roughly a minimum of twelve participants and a venue where we can stay undisturbed for three days. You can find all the details here.