Skip to content
Skip Slider

#the human bondage

Freedom and restriction is one fundamental dynamic in the human existence. It's a paradoxical relationship. Being bound grants freedom from choice and responsibility. It challenges trust and surrender. It touches upon the experience of both belonging and loneliness. But still, fundamentally, it's always your choice. Holding this power is a paradox between expressing your own desire, and emphatically holding space for others. Shaping the body shapes the mind, altering thoughts and feelings, altering one's entire experience. How can a single rope be a symbol for so much?

#the session work

This is for YOU. Medical Massage. Bound Bodywork. Repterapi (therapeutic rope). Hypnosis. They are all ways to serve. To be a guiding hand on your journey. A safe space to let the guard down and just rest, or to face old fears, or to experience something completely new. The session work is my exploration in how to serve another in a one-on-one meeting. What I offer is the expertise that I've built up over a lifetime. As a lesson, or an experience, or something in-between. Selected, tailored, and curated just for you. You pay for my time, so I can focus on you.

#the in-between space

What is found in-between sexuality and creativity? Celebration and meditation? A tribe and the egoistic self? Life is a theatre between reality and dreams. The room is a stage. People are performers and audiences in your existence. Our culture and norms are the rules of our drama. Our personalities are the masks we wear. And what happens when all this is temporary deconstructed? Leaving space for something new to emerge. A play without dire consequences. A co-creation from our subconscious dreams. A long lost desire. A utopian vision of the future. The answer is found together.

#the man and the machine

The man and the machine is an investigation of the relationship between human biology and machine technology. The arena is art. Vibrations through a surface, like a floor or an object, become notes in a composition. While motion in space draws patterns in pitch and tempo. And pulsating bass synchronized with the human heart. I believe that technology can be a modern form of mysticism and magick. My work translates human movement and form to the digital world. The design is modular and the result is ever evolving.

about andy

My work aims to create magical rooms were people can rest, heal and grow. My tools, spirit and experience springs from neurosemantic team building, medical massage therapy, european theatre, and japanese rope art. I work with both groups and individuals, and I love the fact that the world is allowed to be complicated because that makes every meeting unique. My time in Japan engraved into me the presence, passion and embrace for the glimpse of zen that exists in every movement of life – and this I gladly share with you in a session, workshop, or with a cup of tea.

What is tantra? (2019)

Hi Andy! Tantric Rope bondage! How is it tantric? What kind of tantra are you connecting it to? White, red, black, Hindu, Buddhistic, or TNT?

I have received this question many times, so I wanted to answer properly here. First off, I’m NOT a tantric historian. I started to learn rope bondage in the BDSM community. It was about 10 years ago that I got invited to share my knowledge in various different tantric gatherings. It started with Sexsibility in Sweden that is much inspired by Barbara Carellas Urban Tantra. Funnily enough, I’ve heard it said that Barbara regrets calling it “Tantra” in the first place because of this question in particular. Because in essence what we practice is a handful of concrete technique and values, that makes sense alone, without connecting them to a spiritual and mystical legacy. It doesn’t matter if you associate the techniques with a Hindu or Buddhist deity, or none at all because they work anyway (for most people). But the question is still important, so I’ll explain myself deeper.

Machine held spaces (2019)

One of the reasons why I started the man and the machine project was to explore how to create an space that was holding it self. In a one-on-one session I’m holding space for the other person, by actually continuously adapting to the client. In a workshop I shape the space by selecting exercises and guiding along the way. But I’ve also been curious about how much the space can do by itself.

Current technology (2019)

This is an description of the technology behind the interactive soundscapes that I’ve mainly been building as a part of the man and the machine project. It is aimed for non-nerds to explain what I do to artist of other disciplines.

The technology is modular. This means that is works like lego bricks, so it can be picked apart and reassembled in many different ways. That allows the evolution of project, so similar to a theatre production, I do rehearsals to learn more about how I want the lego bricks to be put together. The final result is some kind of machine that interacts with the human outside.

Workshop: The rituals of BDSM (2019)

“Basically most of us will get turned on at night by the very same things that we will demonstrate against during the day.”
–Esther Perel, the secret to desire in a long-term relationship

Bondage, discipline, submission, sadism, and masochism are the pillars of BDSM. They are conscious taboos in our everyday life, but they are equally strong in our subconscious, governing both our sexuality and creativity. We are often tempted to explore them unconsciously in destructive relationships, lasting a night to a life-time. Or trivialising them to an embarrassing 50 Shades of Gray clique (or Harlequin novel if you were born before 1980). Instead, in this retreat, we will explore BDSM through rituals, that act as frames that we can consciously relate to and reflect upon. This enables, on one hand, a safer space and clearer communication, and on the other hand a deeper experience, as we follow a known path that works together.

Motion born out of restriction (2018)

This photo shot together with Joakim Erixson Flodman from 2018 was a continuations of RAW:MOTIONS. We wanted to explore what kind of motion that is born out of restriction. It was shot at the top on Hammarby Backen i Stockholm on a sunny summer afternoon.

Workshop: Zen in semenawa with Saara Rei (2017)

One way to think of zen is a total state of focus that incorporates a total togetherness of body and mind.

Semenawa can be defined as rope that creates a feeling of helplessness and endurance, often with the use of pain and discomfort.

In both Zen and Semenawa a key is the practice of letting go. Letting go of comparing the present experience with experiences from the past or future. No longer attempting to change the present, but accepting it while still being responsible for one’s emotional and physical well-being. Practicing this paradox is the theme of this weekend.

Semenawa can bring the height of dramatic expression and the depth of trust. It teaches us to slow down and tune into a universe of intimate nonverbal communication. The beauty of semenawa is the raw emotions that form a strong bond of trust and vulnerability between the top and the bottom.

People often ask why one would like to be tied or tie another person. The answer is always vulnerability in the polarity between surrender and holding power. When done in a consensual and loving way it empowers intimacy, healing, and growth.

Eve Arm – Today I saw a dragon (2017)

Today I met the pain
Raw, strong and fierce
And suffering had to leave
Through the magic of letting go

Today, I met with shame
Through humiliation and enjoyment
It welcomed and already had to leave
Was in a hurry to visit other’s homes

Today, I met with my shadow
And it was not so scary
One step closer to freedom
Shadow has been diffused by light

Today I saw a dragon
Spitting flames in the evening sky
Stretching wings stretched out over the sea
Witnessed only by few boats

Chorus:
This is Freedom
This is Life
Hand in hand with sadness, anger and joy
Hand in hand with pain and with blaze of pleasure
This is Freedom
This is Life
All feelings are OK

Fredlig beröring och lekfullhet (2012/SWE)

Another writing early writing on playfullness and play parties from the early days, written in Swedish.

“Let’s try a metaphor. Imagine a human being as an artichoke. The artichoke’s tough, spiny leaves are the innumerable shields we put up to defend that which is must tender and sought after – the heart. We can tear tan artichoke’s leaves off to get at its heart, just as we can attack a person; but there is a much easier and more effective way. If we steam the artichoke, it surrenders its leaves, exposing and sharing its heart with us. In the same way, play does not attack a person’s defences. Play creates an environment in which we drop our shields and share our tender human heart, which is what we all want in the first place. But if our shields are ripped off from the outside, we try to build even stronger ones. In play we interact heart to heart, without any of our cultural separations.”

“What motivates some people to forego security and explore outside the cultural limits? We must believe that faith, that life is more than we are told, that it goes beyond the ordinary cultural means to give. The power of play lives in its timeless pattern of sharing. It does not seek to obliterate or transform differences. It allows for interaction because it operates on a deeper level where there are no differences that make a differences.”

“We must somehow trust that there will be something to hold us if we let go of the sociocultural norms within which we are enmeshed. Constantly confronted as we are with the uncertainty and mystery of life, we may know that total security is illusory. But illusion or not, we think and act as if our culture is a security blanket. To conceive of coming out from under it requires fearlessness.”

Manifesto: We Are Play (2012/SWE)

We Are Play was one of my early projects to explore BDSM and sexuality in a playful way. I did together with my friend Denice. This was our manifesto written in Swedish.

Play party: BJUDNINGEN (2012/SWE)

Another of my early play parties on theme a decadent dinner, and what happens when hosts, guests, servants, and entertainers meet. The description is written in Swedish.

Play party: MAKT (2012/SWE)

One of my first play parties with the theme POWER, and our relationship to it. What will you do with the power, and what does the power do with you. The description in written in Swedish.

Play Party: GRÄNSLANDET (2015)

GRÄNSLANDET (the in-between space in Swedish) was a public play party that I organized twice during 2o15. My ambition was to explore the exhibtionism and voyeurism in erototism. The space offered around 20 miniatur stage defined by stage lighting in a dark space. To focus on the present experience, all talk was banned outside the stages. This create an audience witnessing the play. The first party had 100 visitors, and the second one 300. I wanted to use live musicians that could adapt to the room, and artist drawing what was happening as an form of documentation. I decided to not repeat the experience until I had something to – to go deeper.

Dark woods, dark emotions (2018)

What does bondage look like in Japan? What is the aesthetic that we inspire to reach? These amazing photos by Ken Buslay speaks that to me. The decaying forest. The suffering body. Raw.

Ängsbacka Tantrafestival (2017)

I’m known for teaching “tantric ropes” but what is that really? More focus on giving time and space to experience what is going on. And less focus on achieving something. Maybe. Here are some photos from the Tantrafestival at Ängsbacka 2017.