Gender roles are a powerful and symbolic catalyst in eroticism and sadomasochism. I perceive them as archetypical ingredients to cook up a reality with. One can experiment safely with social and genetic conditioning or go on a brave adventure into the unknown. Being packed, ready and prepared before embarking on such a journey would be a huge plus, rather than being forced into it.

I ventured from being an almost asexual vanilla to being extremely turned on by powerful women in the ‘90s (thank you, Courtney Love, I love you) to being a wannabe gay in the leather techno scene. Later I became a slave in a new country before exploring my more dominant side, and almost always as some aspect of a man.

Once, someone asked me if a woman can’t be dominant? While it is less common – sadomasochistic desires tend to be pretty heteronormative – women can of course be dominant. My personal experience with this is rather limited, much of it coming from my time being a mistress’ slave in my mid twenties in Montreal. I believe that the lack of dominant female figures in sadomasochistic subculture is rooted in play being stuck in the physical practicalities, flesh to be whipped, while where the mistress shines is in her connection to the divine.

The Mystique And The Dominatrix

A dear Finnish friend of mine has been teaching a nordic mixture of spirituality and eroticism. In that legacy, men can’t be teachers because spirituality represents the mystical left hand-path of the unknown being. Men are practical servants on the right-hand path, and valuable assistants for raising the kundalini energy, but they are neither gods nor goddesses. Yes, these are symbolic gender roles that are worthy of being questioned or maybe even dissolved, but they can also be played with.

One of my favourite movies is The Ceremony (2014), about the French dominatrix Jean de Berg. She was the muse of the writer and filmmaker Alain Robbe-Grillet. She inherited a countryside chateau when he died and became the infamous dominatrix JdB. The movie starts by interviewing a man obsessed with belonging to her. He wants her initials cut into his bleeding flesh. But what does it mean to belong? That she is always in his mind, that he is always thinking about her. Her kink is to orchestrate ceremonies. Men are trained as dogs fighting over a piece of raw meat. A woman gives birth to a raw egg to be hatched over her head. Jean de Berg is old, always dressed in black, somewhere between a nun and a theatre director. She has two muscular male lovers; they undress her, wash her body, and make love to her. Her lovers are always wearing blindfolds, as her skin is not to be seen by them. She is divine.

Whenever I watch the movie, I wonder, what if it was a man in her place? This strikes me as impossible. A man could not behave like that. He can be Hugh Hefner or Andy Warhol, but they are not divine. He could be Jesus, but he is not very dominant. He can be Prince, but Prince is no longer he; he is a symbol. So I give up. It may be impossible to be a man and dominant and divine simultaneously, so one of these three needs to go.

Caretaking Man Versus Selfish Bitch

I’m so curious about her, my inner bitch, as I like to call her. As a man that is into sadomasochism, mainly as the dominant, I always feel very care-taking. And it has been a conscious struggle to become more selfish and more focused on my own experience. So many men that I meet share the same story. Maybe it comes from growing up in Sweden during the ‘80s and ‘90s. One of my first big eye-openers when connecting with eroticism and spirituality was the reconnection to my own body and my desires. During regular sex and sadomasochistic play, I learned to shift the focus toward myself; from that, my definition of pleasure grew immensely.

Sometimes I do an exercise in retreats wherein people get to practise using their bodies, first to explore another and then use the other to feel themselves. And many men report that they are most directly in contact with direct pleasure through their genitals, while the rest of the body is used in understanding their surroundings.

One thing I have learned is that people long more for surrender than for submission. Perhaps the offerings in submission must be greater than the potential of self-pleasure in surrender. Once someone can connect that offering to what we might call Divinity, the game changes completely. This is the opposite of the beastly carnal love of the flesh. The question then becomes: how divine can you be in your dominance? And if you are a leather daddy dom, for example, is there room for the Divine?

Transforming from the care-taking man into the divine selfish bitch that’s using others for her direct pleasure and being worshipped for doing so; feels like a great challenge and a curious calling. The divine bitch gives nothing more than her mere presence, where her servants are allowed to love her. She assumes their diligence and this makes her powerful. It’s almost like becoming an object of fetishisation; thigh-high shiny leather boots, the upper part of a military parade uniform, and a long single-tail whip. The more worshipped she becomes, the less she needs to give back, and the more wrathful she responds when displeased. Such is the mutual dependence in the polarity between the divine and her worshipper. 

It’s funny when I remember one of my teachers in Japan telling me to only dress in black, wear sunglasses and hide behind my partner because no one wants to see my ugly face when being bakushi.

40 

Standard Edition. Paperback. 499 pages.


20 

80Mb 7-day digital download. 499 pages.

It took forever, but my book is finally available—either as a printed paperback or a downloadable PDF. Watch the trailer on the left!

Dear unknown friend, to access the adult-rated material you must create a free account and log in. This is due to social media and their algorithms. Sorry for the inconvenience.

FIRST PARADOX

BEING AND DOING

SECOND PARADOX

SELF-SACRIFICE

AND SELFISHNESS

THIRD PARADOX

SELFISHNESS AND

HOLDING SPACE

FOURTH PARADOX

UNITY AND POLARITY

FIFTH PARADOX

SYMBOLS AND REALITY

FIRST RITUAL

SUBMISSION

SECOND RITUAL

DEVOTION

THIRD RITUAL

REJECTION

FOURTH RITUAL

DESIRE

FIFTH RITUAL

DEATH

“Gianina”

This book changed my life. A collection of Andy’s reflections, instruction, photography diaries, stories and lived experiences, it’s a patchwork quilt masterpiece constructed with beautiful, calm, honest prose – yet sharp and questioning, on the paradoxes one encounters in sadomasochistic practice but may not have interrogated fully before. Also his teaching manifesto, complete with practical steps for his core rituals.

To me, Rituals & Paradoxes is the very essence of Andy’s teaching but also a gift; upon reading personally, it changed my life by not only giving me the language and conceptual framework to reorientate and redefine my own expression of sexuality and sadomasochistic practice, but also through gifting me a new view of this world through Andy’s eyes. For a long time I felt like I had hit a barrier in my play. I now realise I was stuck in modalities. Now I know what I want, that it’s ok for desires and practices to contradict themselves, that paradoxes are welcome and navigating them is all part of the fun. Besides, Andy’s lens on it all invites you to share in an artist’s heart.

Buy this book if you’ve found yourself questioning ‘why’, ‘what’ and ‘how’ in your play and partner relationships. If you’ve found yourself falling through these paradoxes Andy examines. Whether you’ve completed a ritual of his before or not, discover these same rituals, or their variations, within different contexts. Regardless, buy this book for the beauty overflowing from its pages; the ache of emotion, the rapture of pleasure and the luscious nature of pain. It’s all here, in your very hands.

“M”

Rituals and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism by Andy Buru.

“Take my hand, follow me, be not scared, I got you”

“You do not need another guru, do not follow the man with a beard”- the words echoe in my mind when I start reading “Ritual and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism” by Andy Buru, professional Japanese rope bondage practionner/teacher: besides almost being named guru, he indubitably takes a position of authority by publishing himself, and considering the subject matter and that I do in fact have some first hand experience of Andy (double-entendre intended) – should I not be a bit scared and keep distance?

Drawing from his extensive experience as teacher, body worker and personal life, Andy approaches the subject through a set of paradoxes that are defining sadomasochism, or “eroticization of pain and power”. These paradoxes create polarities which sadomasochism explores through careful and compassionate play with the inherent tensions that varies between individuals and the power dynamics of ”dominant/submissive”. The resulting book, a solid block of nearly 500 pages, reaches however far beyond an introduction into bdsm, a guidebook, or a collection of personal reflections.

Instead, the aim is to bring attention on esoteric qualities of sadomasochism, as in the ritualization of sexuality towards enlightenment or union with God/Divine. Sadomasochism, with its inherent polarities, has according to the author a high potentiality to address deeper needs usually associated with spirituality, such as belonging, submission, self-sacrifice, and devotion, which according to the narrative are not promoted in our pleasure-seeking western societies (“joy joy lala land”) that mostly focus on achievement and selfishness, on “doing”. The sadomasochism that Andy presents and cultivates provide thus as a contrast a safe playground to discover or further dive into meaningful and transformational states of being.

So what am I holding in my hands? First of all I cannot hinder to be seduced by the format and structure. After all, the presentation is significant when your topic is rituals, and the writing project in itself is introduced as mystic for the author: a compact volume beautifully segmented all in black and white by the paradoxes that define sadomasochism, visually chaptering the thought in numbered lemmas/verses, accompanying poetic lines followed by a clear, straightforward prose, occasionally punctuated by Andy Buru’s warm humour, at the rhythm of sneak peaks into his very intimate (at times thick and sick) diary. Abstract concepts are both cleverly illustrated and made tangible through illustrations and a selection of tastefully curated photographies taken by the author himself during his sessions, seducing with their raw beauty and display authentic vulnerability.

“Rituals and Paradoxes” is a companion to anyone’s own paths of self-/collective exploration- practical or intellectual. Andy Buru acts as a Virgilius, not taking down seven levels of hell as one might associate sadomasochism to, but truly accompanying the reader on a journey. His written edifice is a temple where the dark meanders of eros find light and love, in which the paradoxes are pillars and a room for rituals are formed/performed, and where the self is absorbed in the community. Pushing the comparison further, one might find that the fragments of experience that Andy Buru shares, at moment heavy and intense as incense, are counterparts of the vibrant paintings hanging in the side-choirs of a baroque church. (The dramatic lives of saints and martyrs, full of suffering and self-sacrifice, are after all early tangents to the world of bdsm).

The Reading of “Rituals and Paradoxes” could be an invitation into a sacred place with many shrines and as such be decisive or it may stay at the level of a mere tour, an exotic sight-seeing of deviancy and perversion, depending on maturity and receptiveness of the reader. One anecdote from the book (or should I qualify it as a votive picture in adoration for the Japanese culture and to which the author is so indebted?) may provide some evidence of the author’s expectations on the reader: a flower arrangement school in Japan, where everyone gets the degree, but you would, by paying proper attention, be aware of if you actually got to the deeper sense or not.

I think that the strength of the book comes from this sensible approach, where the mystery, despite being unfold for us and made available in words, by the end of the day needs to be “felt” as well, or to paraphrase the first paradox, “to be”. Regardless of your previous experience in bdsm or more generally within sex, or your degree of self-knowledge, the book has nonetheless something essential to offer as an invitation to discover or further explore the vast inner universe that is yourself and your sexuality, but also, by making you sensible to the esoteric dimensions involved in bdsm and thus to elevate your practice to a profoundly metaphysical act.

Yes, Andy, maybe I will take your hand, and follow you, I am not scared, you got me.