I have dedicated myself to a paradoxical way of relating to sadomasochism. I do not embrace hard and fast rules in this approach; instead there are several guiding principles for how we do what we do. One such is playing safer rather than safe to make space for bravery, insecurity, and mystery. So it can never be more than safer. Having said that, there are some constructive building blocks which balance safety and bravery, and doing and being very nicely. Below are four of them.

The first building block is pre-negotiated consent. These are the agreements that are made before you play. They need to cover two things but can involve many more. The first mandatory item is your exit strategy – how you signal that you want to stop and what actions follow. Usually, the signal is a safeword; this everyone knows, I know. But the important thing is the actions which follow. Typically, we would begin by calming the action down, landing softly and then debriefing. Establishing a space which allows for self expression is essential. It’s when both parties can process what has just transpired. This is where growth can occur – or boundaries get (re)defined. This does not always need to happen instantly; strong emotions might take several days to settle or be understood before any debriefing happens. If there are strong disagreements over what happened, I recommend using a third, neutral party. If something illegal has transpired, then the police can be contacted. The main goal is to handle the situation such that a trauma does not form and to avoid lasting hostility all the while creating a sense of fairness.

The second building block is the framing of the interaction. This has multiple parameters and can be quite nuanced. It includes when the session ends, for example, when the ropes are untied, be that before going to bed together on Friday night, or before Sunday brunch with the family. And its location and what actions are included. If a session extends beyond its generally agreed upon ending, a renegotiation through checking in with both parties’ limits and desires is due. The location of a session is often obvious (be it a bedroom or studio), yet if a camera is introduced, you open the space beyond those borders. Will photos be uploaded, shared with others? Even later speaking about what happened with someone else is opening up the space of the session and that needs some negotiation. Finally, what is included and excluded in a session is a needed parameter to be discussed. For some, this is an elaborate listing of all the toys, words and roles to be used, for others it’s more open ended.

Making a Practical Frame More Esoteric

The third building block is a shared fantasy. You place it inside the pre-negotiated frame like a seed that unfolds throughout the play. It can be as simple as “You are dominant; I’m submissive.” or as elaborate as different role-playing scenarios—for example, strict teacher and bratty student. Everyone inside the frame acts together to keep the fantasy alive while hopefully being able to forget everything outside. The shared fantasy inside the frame simultaneously creates the opportunity to be safe and brave. And the exit strategy allows an agreed upon way to break the structure and return to real life. I prefer a shared fantasy over a too-detailed pre-negotiation because sadomasochistic play is more of an emotional journey than a practical one for me. How I experience something is more based on how it feels than what it is. So there is a risk of confusing and misunderstanding each other when trying to be too detailed or exact. That’s why sharing an overall theme is often a more successful strategy, in my experience. Then, of course, there might be specific details worth deciding before —for example, no permanent scarring or avoiding actions connected to previous trauma.

The last building block is on-the-fly consent. It is a skill you practise with your partner to understand the physical and emotional state of the other and yourself. By comprehending your own experience, you will automatically become more transparent about it. For example, if you like something and dare to express that, it will be easier to understand. The same goes if you dislike something or are hesitant. Avoid trying to analyse it because that will make the experience stick in your head rather than express it through your body. You might notice this when your monkey mind (the voice in your head that rarely shuts up) keeps observing what’s happening from the outside. Instead, focus on letting your emotions express themselves through you. Then after your play is over, the analysis might be an excellent subject for a conversation over a cup of tea. Expressing yourself is half the battle; the other half is listening to your partner.

Listening to your partner can be approached analytically – for example, by analysing their breathing or muscle tension. It’s a good starting point, but I believe our intuition can do much more once we have trained it. It evolves by interacting with other human beings while paying close attention to the feedback you receive. At first, the input might need to be verbal, but eventually, you will learn to understand each other’s body language. That way, the sadomasochistic play can evolve into using words for dirty talking, giving orders, and other mischievous deeds, alongside with the safeword in the event of a misunderstanding. For example, in the play involving constant struggle, it can be easy to misread signals. In this case one can continuously offer small opportunities during your play to move away or voice a concern. Most children instinctively do this during play-fighting so we do know how to do this. But it might need to be rediscovered as a grown-up.

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Standard Edition. Paperback. 499 pages.


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80Mb 7-day digital download. 499 pages.

It took forever, but my book is finally available—either as a printed paperback or a downloadable PDF. Watch the trailer on the left!

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FIRST PARADOX

BEING AND DOING

SECOND PARADOX

SELF-SACRIFICE

AND SELFISHNESS

THIRD PARADOX

SELFISHNESS AND

HOLDING SPACE

FOURTH PARADOX

UNITY AND POLARITY

FIFTH PARADOX

SYMBOLS AND REALITY

FIRST RITUAL

SUBMISSION

SECOND RITUAL

DEVOTION

THIRD RITUAL

REJECTION

FOURTH RITUAL

DESIRE

FIFTH RITUAL

DEATH

“Gianina”

This book changed my life. A collection of Andy’s reflections, instruction, photography diaries, stories and lived experiences, it’s a patchwork quilt masterpiece constructed with beautiful, calm, honest prose – yet sharp and questioning, on the paradoxes one encounters in sadomasochistic practice but may not have interrogated fully before. Also his teaching manifesto, complete with practical steps for his core rituals.

To me, Rituals & Paradoxes is the very essence of Andy’s teaching but also a gift; upon reading personally, it changed my life by not only giving me the language and conceptual framework to reorientate and redefine my own expression of sexuality and sadomasochistic practice, but also through gifting me a new view of this world through Andy’s eyes. For a long time I felt like I had hit a barrier in my play. I now realise I was stuck in modalities. Now I know what I want, that it’s ok for desires and practices to contradict themselves, that paradoxes are welcome and navigating them is all part of the fun. Besides, Andy’s lens on it all invites you to share in an artist’s heart.

Buy this book if you’ve found yourself questioning ‘why’, ‘what’ and ‘how’ in your play and partner relationships. If you’ve found yourself falling through these paradoxes Andy examines. Whether you’ve completed a ritual of his before or not, discover these same rituals, or their variations, within different contexts. Regardless, buy this book for the beauty overflowing from its pages; the ache of emotion, the rapture of pleasure and the luscious nature of pain. It’s all here, in your very hands.

“M”

Rituals and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism by Andy Buru.

“Take my hand, follow me, be not scared, I got you”

“You do not need another guru, do not follow the man with a beard”- the words echoe in my mind when I start reading “Ritual and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism” by Andy Buru, professional Japanese rope bondage practionner/teacher: besides almost being named guru, he indubitably takes a position of authority by publishing himself, and considering the subject matter and that I do in fact have some first hand experience of Andy (double-entendre intended) – should I not be a bit scared and keep distance?

Drawing from his extensive experience as teacher, body worker and personal life, Andy approaches the subject through a set of paradoxes that are defining sadomasochism, or “eroticization of pain and power”. These paradoxes create polarities which sadomasochism explores through careful and compassionate play with the inherent tensions that varies between individuals and the power dynamics of ”dominant/submissive”. The resulting book, a solid block of nearly 500 pages, reaches however far beyond an introduction into bdsm, a guidebook, or a collection of personal reflections.

Instead, the aim is to bring attention on esoteric qualities of sadomasochism, as in the ritualization of sexuality towards enlightenment or union with God/Divine. Sadomasochism, with its inherent polarities, has according to the author a high potentiality to address deeper needs usually associated with spirituality, such as belonging, submission, self-sacrifice, and devotion, which according to the narrative are not promoted in our pleasure-seeking western societies (“joy joy lala land”) that mostly focus on achievement and selfishness, on “doing”. The sadomasochism that Andy presents and cultivates provide thus as a contrast a safe playground to discover or further dive into meaningful and transformational states of being.

So what am I holding in my hands? First of all I cannot hinder to be seduced by the format and structure. After all, the presentation is significant when your topic is rituals, and the writing project in itself is introduced as mystic for the author: a compact volume beautifully segmented all in black and white by the paradoxes that define sadomasochism, visually chaptering the thought in numbered lemmas/verses, accompanying poetic lines followed by a clear, straightforward prose, occasionally punctuated by Andy Buru’s warm humour, at the rhythm of sneak peaks into his very intimate (at times thick and sick) diary. Abstract concepts are both cleverly illustrated and made tangible through illustrations and a selection of tastefully curated photographies taken by the author himself during his sessions, seducing with their raw beauty and display authentic vulnerability.

“Rituals and Paradoxes” is a companion to anyone’s own paths of self-/collective exploration- practical or intellectual. Andy Buru acts as a Virgilius, not taking down seven levels of hell as one might associate sadomasochism to, but truly accompanying the reader on a journey. His written edifice is a temple where the dark meanders of eros find light and love, in which the paradoxes are pillars and a room for rituals are formed/performed, and where the self is absorbed in the community. Pushing the comparison further, one might find that the fragments of experience that Andy Buru shares, at moment heavy and intense as incense, are counterparts of the vibrant paintings hanging in the side-choirs of a baroque church. (The dramatic lives of saints and martyrs, full of suffering and self-sacrifice, are after all early tangents to the world of bdsm).

The Reading of “Rituals and Paradoxes” could be an invitation into a sacred place with many shrines and as such be decisive or it may stay at the level of a mere tour, an exotic sight-seeing of deviancy and perversion, depending on maturity and receptiveness of the reader. One anecdote from the book (or should I qualify it as a votive picture in adoration for the Japanese culture and to which the author is so indebted?) may provide some evidence of the author’s expectations on the reader: a flower arrangement school in Japan, where everyone gets the degree, but you would, by paying proper attention, be aware of if you actually got to the deeper sense or not.

I think that the strength of the book comes from this sensible approach, where the mystery, despite being unfold for us and made available in words, by the end of the day needs to be “felt” as well, or to paraphrase the first paradox, “to be”. Regardless of your previous experience in bdsm or more generally within sex, or your degree of self-knowledge, the book has nonetheless something essential to offer as an invitation to discover or further explore the vast inner universe that is yourself and your sexuality, but also, by making you sensible to the esoteric dimensions involved in bdsm and thus to elevate your practice to a profoundly metaphysical act.

Yes, Andy, maybe I will take your hand, and follow you, I am not scared, you got me.