Trust is more critical than consent. The modern usage of the word consent is ‘to agree’, often by defining the terms of the agreement. I find this definition incomplete in some significant ways. The Swedish word we use is ‘samtycke’; ‘sam’ meaning together, and ‘tycke’; ‘opinion’, often related to thought. When people practise consent, it often looks like them telling each other what they want or do not want. Yet looking at the word’s origins, another layer of meaning is unveiled. The English word has two components; ‘con’, which means with or together, and ‘sent’, from the Old French ‘sentire’, that is, to feel. Feeling together, rather than doing stuff to each other. I find this so much more beautiful.

When choosing partners with whom to explore esoteric and sadomasochistic eroticism, I instinctually operate like this: if I trust that we can feel together, then my need for do’s and don’ts is minimal. Because I am curious about what we will become together, I don’t need to define what we want to do. I cherish the surprise. When I notice that we don’t feel together, there is a disturbance in our relationship; then, I must slow down and communicate to feel safe again. This normally happens all the time – it is the constant calibration of a relationship. In retreats, this is something I have encountered many times over, that what people most long for is to feel present in a collaborative unfolding of life’s mysteries. We can hang upon this any number of cliches or judgements, but I truly think this is what we deeply desire.

Why is it that consent then often becomes this statement of what I want and don’t want?

At its root, it is because we are taught to suppress our emotions from an early age. As babies, we express our needs through crying until they are met, but as we grow up, we learn to delay our needs and ignore our feelings. This is described in Sir Ken Robinson’s famously viral lecture about how schools stifle creativity. Human beings are remarkable at pushing themselves to succeed, but at the cost of not listening to our feelings, not honouring them. We lose the ability to be sensible – literally! – with others, to feel along with others. The result is burnout, hurtful behaviour, and exclusion. In a world with limited resources, performance is valued over emotions, making people easy to manipulate. However, it’s important to find a balance between doing and feeling. Naomi Klein’s books No Logo (1999) and The Shock Doctrine (2007) emphasise this message. While performance and doing are important aspects of progress, it is crucial to maintain a balance with feeling.

In this current cultural context, it’s not surprising that consent is often viewed as a matter of ‘doing’. I want to do this and that, and you should also ask me if I want chips or ice cream at nine o’clock. Even in the consent-focused sadomasochistic subculture, a sense of shared feeling is often missing. There is typically a safe word to stop or slow down, but beyond that, the focus is on doing and wanting. And if I am (forced) into doing, then I will ensure it will be what I want. This creates a paradox because many people desire to surrender and submit to a force greater than themselves, but they must still consent to everything along the way.

How can I surrender when I need to consent, in the modern sense of the word, to everything that happens to me?

I see a lot of hurt in the world from people acting on each other without a shared emotional connection. When I’m preoccupied with doing what I think I want, what I think they want, what society taught us to want, and I neglect feeling for others,  that’s when I can cause harm. When we are hurt, we wear armour, build walls, and fight wars. We do this by defining how things are and how they should be. Avoiding hurt is a normal and human response, but it also creates a standstill. Over time, this lack of trust in feeling together leads to a loss of the ability to connect emotionally. Although intense or crazy experiences may seem tempting, I prioritise feeling together in even the smallest actions. Without that shared emotional connection, consent based solely on doing and wanting is not what I want. Or even feel like.
There is a common misconception about sadomasochism that needs to be addressed: that most dominants act based on a predetermined kink or fantasy. However, in my experience, it is more about feeling connected in the moment and what steams from a burning mutual curiosity. I stress in retreats that every action must have a reaction and there is no reason to tie a second rope until the tale of the first rope has been told.

There is a growing focus in media today on dangerous acts such as erotic breath play, which sometimes results in death. While I find this to be a horrible trend, I believe it comes from a search for identity and curiosity about sadomasochism. It’s about wanting to be someone or something. I assume it’s mainly guys wanting to be macho and dominant and girls wanting to be slutty and submissive. The source of this interest isn’t so important to me, be it violent pornography and video games or, for those, like me, born in the 1980s, pen-and-paper roleplaying and metal music. The issue is with the ego-centric wanting culture.

While these kids exploring erotic breath play are not likely brutally murderous monsters, and there was likely some consent involved, the fact that they engage in a dangerous and rewarding (there can be a slightly euphoric feeling from limiting blood supply to the brain) activity from a wanting perspective, with a lot of armour, hinders their ability to feel connected. The wanting culture prevents individuals from feeling together and being vulnerable and present.

Ideally then the interaction (may it be talk or tea) that would happen before erotic play would set the stage for a deeper inter-connection and greater vulnerability. And not be about citing a list of what I want and what I don’t want.

40 

Standard Edition. Paperback. 499 pages.


20 

80Mb 7-day digital download. 499 pages.

It took forever, but my book is finally available—either as a printed paperback or a downloadable PDF. Watch the trailer on the left!

Dear unknown friend, to access the adult-rated material you must create a free account and log in. This is due to social media and their algorithms. Sorry for the inconvenience.

FIRST PARADOX

BEING AND DOING

SECOND PARADOX

SELF-SACRIFICE

AND SELFISHNESS

THIRD PARADOX

SELFISHNESS AND

HOLDING SPACE

FOURTH PARADOX

UNITY AND POLARITY

FIFTH PARADOX

SYMBOLS AND REALITY

FIRST RITUAL

SUBMISSION

SECOND RITUAL

DEVOTION

THIRD RITUAL

REJECTION

FOURTH RITUAL

DESIRE

FIFTH RITUAL

DEATH

“M”

Rituals and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism by Andy Buru.

“Take my hand, follow me, be not scared, I got you”

“You do not need another guru, do not follow the man with a beard”- the words echoe in my mind when I start reading “Ritual and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism” by Andy Buru, professional Japanese rope bondage practionner/teacher: besides almost being named guru, he indubitably takes a position of authority by publishing himself, and considering the subject matter and that I do in fact have some first hand experience of Andy (double-entendre intended) – should I not be a bit scared and keep distance?

Drawing from his extensive experience as teacher, body worker and personal life, Andy approaches the subject through a set of paradoxes that are defining sadomasochism, or “eroticization of pain and power”. These paradoxes create polarities which sadomasochism explores through careful and compassionate play with the inherent tensions that varies between individuals and the power dynamics of ”dominant/submissive”. The resulting book, a solid block of nearly 500 pages, reaches however far beyond an introduction into bdsm, a guidebook, or a collection of personal reflections.

Instead, the aim is to bring attention on esoteric qualities of sadomasochism, as in the ritualization of sexuality towards enlightenment or union with God/Divine. Sadomasochism, with its inherent polarities, has according to the author a high potentiality to address deeper needs usually associated with spirituality, such as belonging, submission, self-sacrifice, and devotion, which according to the narrative are not promoted in our pleasure-seeking western societies (“joy joy lala land”) that mostly focus on achievement and selfishness, on “doing”. The sadomasochism that Andy presents and cultivates provide thus as a contrast a safe playground to discover or further dive into meaningful and transformational states of being.

So what am I holding in my hands? First of all I cannot hinder to be seduced by the format and structure. After all, the presentation is significant when your topic is rituals, and the writing project in itself is introduced as mystic for the author: a compact volume beautifully segmented all in black and white by the paradoxes that define sadomasochism, visually chaptering the thought in numbered lemmas/verses, accompanying poetic lines followed by a clear, straightforward prose, occasionally punctuated by Andy Buru’s warm humour, at the rhythm of sneak peaks into his very intimate (at times thick and sick) diary. Abstract concepts are both cleverly illustrated and made tangible through illustrations and a selection of tastefully curated photographies taken by the author himself during his sessions, seducing with their raw beauty and display authentic vulnerability.

“Rituals and Paradoxes” is a companion to anyone’s own paths of self-/collective exploration- practical or intellectual. Andy Buru acts as a Virgilius, not taking down seven levels of hell as one might associate sadomasochism to, but truly accompanying the reader on a journey. His written edifice is a temple where the dark meanders of eros find light and love, in which the paradoxes are pillars and a room for rituals are formed/performed, and where the self is absorbed in the community. Pushing the comparison further, one might find that the fragments of experience that Andy Buru shares, at moment heavy and intense as incense, are counterparts of the vibrant paintings hanging in the side-choirs of a baroque church. (The dramatic lives of saints and martyrs, full of suffering and self-sacrifice, are after all early tangents to the world of bdsm).

The Reading of “Rituals and Paradoxes” could be an invitation into a sacred place with many shrines and as such be decisive or it may stay at the level of a mere tour, an exotic sight-seeing of deviancy and perversion, depending on maturity and receptiveness of the reader. One anecdote from the book (or should I qualify it as a votive picture in adoration for the Japanese culture and to which the author is so indebted?) may provide some evidence of the author’s expectations on the reader: a flower arrangement school in Japan, where everyone gets the degree, but you would, by paying proper attention, be aware of if you actually got to the deeper sense or not.

I think that the strength of the book comes from this sensible approach, where the mystery, despite being unfold for us and made available in words, by the end of the day needs to be “felt” as well, or to paraphrase the first paradox, “to be”. Regardless of your previous experience in bdsm or more generally within sex, or your degree of self-knowledge, the book has nonetheless something essential to offer as an invitation to discover or further explore the vast inner universe that is yourself and your sexuality, but also, by making you sensible to the esoteric dimensions involved in bdsm and thus to elevate your practice to a profoundly metaphysical act.

Yes, Andy, maybe I will take your hand, and follow you, I am not scared, you got me.