If the purpose of a ritual is to act as an inherited compass to sail into the subconscious. Just like tea is the content of a tea ceremony, then sadomasochism is the content of a sadomasochistic ritual. And therefore the ship we sail upon.

The reason for these journeys can be broken down into three different categories: celebration, magick and alchemy; these mix and overlap. Having a kinky wedding dressed in fabulous latex gear in addition to the traditional gathering of friends and family in the church is a typical celebration ritual. Or gathering a group of intimate friends to realise the most deviant fantasy as a birthday gift is another. Or celebrating the first anniversary of becoming master and slave instead of boyfriend and girlfriend. The goal of the celebration is fun. These are the least magical celebrations in an esoteric sense of the word. 

In esoteric eroticism, the word sex magick means transforming something outside oneself using the power of eros. If meditation is observing what is, then magick is changing it. Magick works with the explicit intention of how something should become in future. It can take the shape of an inquiry session or a shared prayer. I once heard an orthodox Christian priest say, “Praying is not asking; praying is knowing”. Prayer then can be a symbol for change that is willed to happen. There is great wisdom in that. Imagine the cliché image of a satanic sex magick ritual, drawing a sigil in freshly drawn blood on the chest, fucking on the full (red) moon, and finally spraying semen all over as a symbol of life. All this while wearing sawed-off goat heads. This is half-joking, half-serious. The idea is creating a clear intention with symbolism you believe in and then, at the point of an ecstatic orgasm, visualising how it sinks into the subconscious or expands into the divine.

The ultimate purpose is the alchemy of transformation, which is to become something else right here and now. The word ‘transformation’ might sound grand, but in my experience, it’s deceivingly simple. Simple as it may be, it carries great importance. 

This happens every time I tie the first rope. The alchemy might be internal, like the embracing of another self. In my everyday relationships, I tend to strive for equality whereas in sadomasochistic play, I strive for polarity instead. I strive for a union with something greater, call it what you will, God or Divine perhaps. The power of transformation can be accessed, depending on the way one defines this for themselves, inside of oneself, in another person or in nature, the universe or in the supernatural. There is an element of trust or belief that performing these acts repeatedly will be transformational. This isn’t something to prove scientifically; it’s a belief I decide to invest in.

The key distinction between a ritual and a social sadomasochistic gathering is that the former allows me to fulfil my personal yearnings. While at a social event, I interact with people I already know and potentially meet new and intriguing individuals. We might explore our fantasies in words but the purpose is never to act them out. In contrast, a ritual enables me to openly embody my true desires in the most concrete way. Hippies might refer to this as manifesting my reality; others call it sex magick.

When I approach my sadomasochistic play as a ritual, I am dedicated to honouring the fact that I have inherited a structure and am tasked with handling it with care. It is my path to follow, to rebel and to master. Shu-ha-ri. And to share this generously with those who deserve it. To imbue these acts with ceremonial significance. This is the way to artistry.

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Standard Edition. Paperback. 499 pages.


20 

80Mb 7-day digital download. 499 pages.

It took forever, but my book is finally available—either as a printed paperback or a downloadable PDF. Watch the trailer on the left!

Dear unknown friend, to access the adult-rated material you must create a free account and log in. This is due to social media and their algorithms. Sorry for the inconvenience.

FIRST PARADOX

BEING AND DOING

SECOND PARADOX

SELF-SACRIFICE

AND SELFISHNESS

THIRD PARADOX

SELFISHNESS AND

HOLDING SPACE

FOURTH PARADOX

UNITY AND POLARITY

FIFTH PARADOX

SYMBOLS AND REALITY

FIRST RITUAL

SUBMISSION

SECOND RITUAL

DEVOTION

THIRD RITUAL

REJECTION

FOURTH RITUAL

DESIRE

FIFTH RITUAL

DEATH

“M”

Rituals and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism by Andy Buru.

“Take my hand, follow me, be not scared, I got you”

“You do not need another guru, do not follow the man with a beard”- the words echoe in my mind when I start reading “Ritual and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism” by Andy Buru, professional Japanese rope bondage practionner/teacher: besides almost being named guru, he indubitably takes a position of authority by publishing himself, and considering the subject matter and that I do in fact have some first hand experience of Andy (double-entendre intended) – should I not be a bit scared and keep distance?

Drawing from his extensive experience as teacher, body worker and personal life, Andy approaches the subject through a set of paradoxes that are defining sadomasochism, or “eroticization of pain and power”. These paradoxes create polarities which sadomasochism explores through careful and compassionate play with the inherent tensions that varies between individuals and the power dynamics of ”dominant/submissive”. The resulting book, a solid block of nearly 500 pages, reaches however far beyond an introduction into bdsm, a guidebook, or a collection of personal reflections.

Instead, the aim is to bring attention on esoteric qualities of sadomasochism, as in the ritualization of sexuality towards enlightenment or union with God/Divine. Sadomasochism, with its inherent polarities, has according to the author a high potentiality to address deeper needs usually associated with spirituality, such as belonging, submission, self-sacrifice, and devotion, which according to the narrative are not promoted in our pleasure-seeking western societies (“joy joy lala land”) that mostly focus on achievement and selfishness, on “doing”. The sadomasochism that Andy presents and cultivates provide thus as a contrast a safe playground to discover or further dive into meaningful and transformational states of being.

So what am I holding in my hands? First of all I cannot hinder to be seduced by the format and structure. After all, the presentation is significant when your topic is rituals, and the writing project in itself is introduced as mystic for the author: a compact volume beautifully segmented all in black and white by the paradoxes that define sadomasochism, visually chaptering the thought in numbered lemmas/verses, accompanying poetic lines followed by a clear, straightforward prose, occasionally punctuated by Andy Buru’s warm humour, at the rhythm of sneak peaks into his very intimate (at times thick and sick) diary. Abstract concepts are both cleverly illustrated and made tangible through illustrations and a selection of tastefully curated photographies taken by the author himself during his sessions, seducing with their raw beauty and display authentic vulnerability.

“Rituals and Paradoxes” is a companion to anyone’s own paths of self-/collective exploration- practical or intellectual. Andy Buru acts as a Virgilius, not taking down seven levels of hell as one might associate sadomasochism to, but truly accompanying the reader on a journey. His written edifice is a temple where the dark meanders of eros find light and love, in which the paradoxes are pillars and a room for rituals are formed/performed, and where the self is absorbed in the community. Pushing the comparison further, one might find that the fragments of experience that Andy Buru shares, at moment heavy and intense as incense, are counterparts of the vibrant paintings hanging in the side-choirs of a baroque church. (The dramatic lives of saints and martyrs, full of suffering and self-sacrifice, are after all early tangents to the world of bdsm).

The Reading of “Rituals and Paradoxes” could be an invitation into a sacred place with many shrines and as such be decisive or it may stay at the level of a mere tour, an exotic sight-seeing of deviancy and perversion, depending on maturity and receptiveness of the reader. One anecdote from the book (or should I qualify it as a votive picture in adoration for the Japanese culture and to which the author is so indebted?) may provide some evidence of the author’s expectations on the reader: a flower arrangement school in Japan, where everyone gets the degree, but you would, by paying proper attention, be aware of if you actually got to the deeper sense or not.

I think that the strength of the book comes from this sensible approach, where the mystery, despite being unfold for us and made available in words, by the end of the day needs to be “felt” as well, or to paraphrase the first paradox, “to be”. Regardless of your previous experience in bdsm or more generally within sex, or your degree of self-knowledge, the book has nonetheless something essential to offer as an invitation to discover or further explore the vast inner universe that is yourself and your sexuality, but also, by making you sensible to the esoteric dimensions involved in bdsm and thus to elevate your practice to a profoundly metaphysical act.

Yes, Andy, maybe I will take your hand, and follow you, I am not scared, you got me.