It is often said that the so-called Western world lacks ritual, in the way that is still cherished in the East. On one level this is true, and yet ritualisation happens all the time, whether we call it that or not. When I serve my perfected favourite dish to my friends, it is a sort of ritual. When I do this, I am saying something that is more than just the collection of food on the plate. Rituals help to make everyday reality more symbolic.

Ritual adds a sense of meaningfulness to sometimes mundane tasks. I remember a Japanese tea ceremony teacher spending three hours teaching me how to fold a square piece of silk fabric in order to symbolically clean the already clean tea utensils. It’s an act of showing the guests that this is meaningful and that I care about their experience. That for the sake of honouring my guests, I will spend my time on something others might hastily pass by.

A ritual has three components. First, a set of actions. Secondly, a set of limits. Thirdly, repetition. A ritual can be seen as a repetitive exploration of what is possible when specific actions occur within a framework of limitations. It’s a learning process. A ceremony has broader implications, as it includes a clear purpose, often connected to a cultural or esoteric context.

Ritualistic actions are usually handed down through tradition and inheritance and must be learned through practice and self discipline before performing the ritual itself.

Once the performed actions have been mastered then one can utilise the wiggle room of improvisation. Yet this is no free-for-all; even the improvisation is bounded by a set of limitations. The repetition of action allows for perfection but also to question the actions and limitations themselves, which in turn ultimately redefines the ritual itself. It is the concept of Shu-Ha-Ri that you might already have encountered several times in these pages. To follow, to rebel and to master. Or, as mused by a Japanese older woman who I served me tea in Osaka many years ago.

“No matter how serious they may appear, all ceremonies are simply elegant improvisations. Some gestures and conversations are just so perfect that reinventing them would be foolish. Now be that fool.”

Rituals can also be seen as a form of foreplay. Like two lovers sensually washing each other before sex, symbolically cleaning away the dirt and distress of everyday life. They may later realise that this foreplay was more meaningful to them than the final destination.

Rituals are the focal points of social interaction, as they are something to share and gather around together. My social status might even be partially defined by the rituals I am invited to participate in. Sometimes I think this is the ultimate luxury, to perfect a complicated and niche task which others find meaningful. Spending time with a master is among the best ways to absorb the ritual into one’s own being. What begins as a seemingly strict set of rules slowly emerges to be a gradual transference of habits and ways of being. Yet another tea teacher said: 

“Serving tea is like smiling: you can try it by forcing your face into specific muscular postures, but a genuine smile arises naturally as a byproduct of the pleasure of service.”

On a deeper level, rituals act as an inherited compass with which to sail into the subconscious; it’s a wild ocean, vast and dream-like. The perceived reality is a reflection of this internal ocean. Likewise, my world too is a reflection of myself. The subconscious is the collection of all my experiences and all the experiences inherited from the generations before me. Some would say it’s encoded in my DNA; others would say ingrained in my culture. It’s all my dreamt dreams. All the observations I had but which are now forgotten. All the desires that tickled my curiosity. And so on and so on. The rational thinking mind has limited ways to access the subconscious because it’s problem-solving and goal-oriented. In contrast, the subconscious expresses itself through intuition, emotions and dreams. The older I get the less I value teaching my mind things because it forgets, but what is ingrained in my body’s subconscious stays forever. Being in ritual, or maybe being ‘with’ ritual, slowly brings form to the wild formless ocean. Therefore, rituals change everything. Or at least how I perceive the world.

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Standard Edition. Paperback. 499 pages.


20 

80Mb 7-day digital download. 499 pages.

It took forever, but my book is finally available—either as a printed paperback or a downloadable PDF. Watch the trailer on the left!

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FIRST PARADOX

BEING AND DOING

SECOND PARADOX

SELF-SACRIFICE

AND SELFISHNESS

THIRD PARADOX

SELFISHNESS AND

HOLDING SPACE

FOURTH PARADOX

UNITY AND POLARITY

FIFTH PARADOX

SYMBOLS AND REALITY

FIRST RITUAL

SUBMISSION

SECOND RITUAL

DEVOTION

THIRD RITUAL

REJECTION

FOURTH RITUAL

DESIRE

FIFTH RITUAL

DEATH

“M”

Rituals and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism by Andy Buru.

“Take my hand, follow me, be not scared, I got you”

“You do not need another guru, do not follow the man with a beard”- the words echoe in my mind when I start reading “Ritual and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism” by Andy Buru, professional Japanese rope bondage practionner/teacher: besides almost being named guru, he indubitably takes a position of authority by publishing himself, and considering the subject matter and that I do in fact have some first hand experience of Andy (double-entendre intended) – should I not be a bit scared and keep distance?

Drawing from his extensive experience as teacher, body worker and personal life, Andy approaches the subject through a set of paradoxes that are defining sadomasochism, or “eroticization of pain and power”. These paradoxes create polarities which sadomasochism explores through careful and compassionate play with the inherent tensions that varies between individuals and the power dynamics of ”dominant/submissive”. The resulting book, a solid block of nearly 500 pages, reaches however far beyond an introduction into bdsm, a guidebook, or a collection of personal reflections.

Instead, the aim is to bring attention on esoteric qualities of sadomasochism, as in the ritualization of sexuality towards enlightenment or union with God/Divine. Sadomasochism, with its inherent polarities, has according to the author a high potentiality to address deeper needs usually associated with spirituality, such as belonging, submission, self-sacrifice, and devotion, which according to the narrative are not promoted in our pleasure-seeking western societies (“joy joy lala land”) that mostly focus on achievement and selfishness, on “doing”. The sadomasochism that Andy presents and cultivates provide thus as a contrast a safe playground to discover or further dive into meaningful and transformational states of being.

So what am I holding in my hands? First of all I cannot hinder to be seduced by the format and structure. After all, the presentation is significant when your topic is rituals, and the writing project in itself is introduced as mystic for the author: a compact volume beautifully segmented all in black and white by the paradoxes that define sadomasochism, visually chaptering the thought in numbered lemmas/verses, accompanying poetic lines followed by a clear, straightforward prose, occasionally punctuated by Andy Buru’s warm humour, at the rhythm of sneak peaks into his very intimate (at times thick and sick) diary. Abstract concepts are both cleverly illustrated and made tangible through illustrations and a selection of tastefully curated photographies taken by the author himself during his sessions, seducing with their raw beauty and display authentic vulnerability.

“Rituals and Paradoxes” is a companion to anyone’s own paths of self-/collective exploration- practical or intellectual. Andy Buru acts as a Virgilius, not taking down seven levels of hell as one might associate sadomasochism to, but truly accompanying the reader on a journey. His written edifice is a temple where the dark meanders of eros find light and love, in which the paradoxes are pillars and a room for rituals are formed/performed, and where the self is absorbed in the community. Pushing the comparison further, one might find that the fragments of experience that Andy Buru shares, at moment heavy and intense as incense, are counterparts of the vibrant paintings hanging in the side-choirs of a baroque church. (The dramatic lives of saints and martyrs, full of suffering and self-sacrifice, are after all early tangents to the world of bdsm).

The Reading of “Rituals and Paradoxes” could be an invitation into a sacred place with many shrines and as such be decisive or it may stay at the level of a mere tour, an exotic sight-seeing of deviancy and perversion, depending on maturity and receptiveness of the reader. One anecdote from the book (or should I qualify it as a votive picture in adoration for the Japanese culture and to which the author is so indebted?) may provide some evidence of the author’s expectations on the reader: a flower arrangement school in Japan, where everyone gets the degree, but you would, by paying proper attention, be aware of if you actually got to the deeper sense or not.

I think that the strength of the book comes from this sensible approach, where the mystery, despite being unfold for us and made available in words, by the end of the day needs to be “felt” as well, or to paraphrase the first paradox, “to be”. Regardless of your previous experience in bdsm or more generally within sex, or your degree of self-knowledge, the book has nonetheless something essential to offer as an invitation to discover or further explore the vast inner universe that is yourself and your sexuality, but also, by making you sensible to the esoteric dimensions involved in bdsm and thus to elevate your practice to a profoundly metaphysical act.

Yes, Andy, maybe I will take your hand, and follow you, I am not scared, you got me.