We’ve just investigated the various aspects of trust, but what exactly in sadomasochistic play is it that I need to trust? The answer depends on what is currently in focus. What is sacrificed so to say. This changes gradually as a relationship grows deeper. I like to teach it with the following five taboos exposed. I use the word taboo as these are five private things that ‘should’ remain controlled and protected, locked away safely, because when these taboos are exposed, they make us vulnerable; hence the connection to trust.

The first taboo is losing agency of the body, for example, by obeying orders to hold a particular position by will or being bound by ropes. To do this, the submissive must trust that the dominant can take care of their physical body and not put them into situations that they can’t handle, like kneeling for a long time if one has bad knees. The submissive must feel safe to be touched, shaped and moulded by the dominant and to understand their body language, so they can follow their will.

Pain and Pleasure

The second and third taboos to be exposed are, pain and pleasure, which are experienced very differently across people. Some are more challenged to lose agency over pain, and others, pleasure. If the submissive agrees to be pleasured, most often sexually, the dominant can decide when and how much, turning it into a reward or tease-and-denial game. Pain, on the other hand, creates a physical challenge for the submissive. For example, by impact play or painful bondage positions, etc. To surrender to pain or pleasure, another kind of trust is required. Trust when it comes to pain is much related to knowing how it will impact the body, like bruises and scars, and what the submissive is willing to tolerate. While pleasure is the balance between arousal and satisfaction at the same time as understanding what is pleasurable and what is not. Pleasure and pain work very well together because they enable each other and are similar in high doses.

These first three taboos are all focused on the physical body, whereas the others step into the realms of the mind and soul.

Image of the Self

The fourth taboo is exposing one’s selfimage. Here the submissive lets the dominant decide who and what they are and should be. Typical expressions are objectification, pet, and shame play. The reason to engage in such sessions is permission – for the submissive to be something they usually are not. We ourselves most often define and limit who we need to be. For example, for those who feel that they must always be beautiful to be loved, it is a relief to be made ugly. It’s a way to learn to not take one’s picture of ‘the self’ so severely and open up to be something else. Often this process is masochistic as the ego will complain – I usually describe it as emotional masochism rather than physical. The most important thing in exposing one’s self-image is trusting that the dominant will lovingly and respectfully hold space for this process. In a way, it can be described as the dominant replacing the ego of the submissive with their own will. While humiliation might be harsh, the key is that the submissive can stay in the experience without being overwhelmed or disassociating.

Ultimately, Devotion

The fifth and final taboo is exposing devotion, and its most defining aspect is that the focus shifts from the submissive to the dominant. The first four taboos focus on the submissive’s experience and how they can journey through different sensations, from the physical to the emotional. Here, the focus changes to the desire of another. Exposing this taboo requires the submissive to find the dominant worthy and trust them enough to let go of their desires, knowing that they will be taken care of in some way meaningful to them. I experience that to fully let go into devotion, one must first expose the first four taboos. Then, because these focus more on the submissive, they build the trust needed for the fifth taboo.

Much of the fiction incorporating sadomasochism focuses heavily on devotion – to indeed be someone’s slave. But I want to point out that in my experience, one must first move through the body, pleasure, pain and self-image. Otherwise, one can simply pretend to be ‘a slave’, but it won’t feel the same because it will just be a play that ultimately aims to please the submissive. So a good question to ask – is devotion really the goal?

I’ll end here with a counter argument proposed by a friend, that perhaps pain and pleasure are the ultimate expressions of trust as they are the most ‘real’. Meaning that self-image and devotion are but philosophical ideas, while pain and pleasure, when they flood our nervous systems, are impossible to ignore.

40 

Standard Edition. Paperback. 499 pages.


20 

80Mb 7-day digital download. 499 pages.

It took forever, but my book is finally available—either as a printed paperback or a downloadable PDF. Watch the trailer on the left!

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FIRST PARADOX

BEING AND DOING

SECOND PARADOX

SELF-SACRIFICE

AND SELFISHNESS

THIRD PARADOX

SELFISHNESS AND

HOLDING SPACE

FOURTH PARADOX

UNITY AND POLARITY

FIFTH PARADOX

SYMBOLS AND REALITY

FIRST RITUAL

SUBMISSION

SECOND RITUAL

DEVOTION

THIRD RITUAL

REJECTION

FOURTH RITUAL

DESIRE

FIFTH RITUAL

DEATH

“M”

Rituals and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism by Andy Buru.

“Take my hand, follow me, be not scared, I got you”

“You do not need another guru, do not follow the man with a beard”- the words echoe in my mind when I start reading “Ritual and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism” by Andy Buru, professional Japanese rope bondage practionner/teacher: besides almost being named guru, he indubitably takes a position of authority by publishing himself, and considering the subject matter and that I do in fact have some first hand experience of Andy (double-entendre intended) – should I not be a bit scared and keep distance?

Drawing from his extensive experience as teacher, body worker and personal life, Andy approaches the subject through a set of paradoxes that are defining sadomasochism, or “eroticization of pain and power”. These paradoxes create polarities which sadomasochism explores through careful and compassionate play with the inherent tensions that varies between individuals and the power dynamics of ”dominant/submissive”. The resulting book, a solid block of nearly 500 pages, reaches however far beyond an introduction into bdsm, a guidebook, or a collection of personal reflections.

Instead, the aim is to bring attention on esoteric qualities of sadomasochism, as in the ritualization of sexuality towards enlightenment or union with God/Divine. Sadomasochism, with its inherent polarities, has according to the author a high potentiality to address deeper needs usually associated with spirituality, such as belonging, submission, self-sacrifice, and devotion, which according to the narrative are not promoted in our pleasure-seeking western societies (“joy joy lala land”) that mostly focus on achievement and selfishness, on “doing”. The sadomasochism that Andy presents and cultivates provide thus as a contrast a safe playground to discover or further dive into meaningful and transformational states of being.

So what am I holding in my hands? First of all I cannot hinder to be seduced by the format and structure. After all, the presentation is significant when your topic is rituals, and the writing project in itself is introduced as mystic for the author: a compact volume beautifully segmented all in black and white by the paradoxes that define sadomasochism, visually chaptering the thought in numbered lemmas/verses, accompanying poetic lines followed by a clear, straightforward prose, occasionally punctuated by Andy Buru’s warm humour, at the rhythm of sneak peaks into his very intimate (at times thick and sick) diary. Abstract concepts are both cleverly illustrated and made tangible through illustrations and a selection of tastefully curated photographies taken by the author himself during his sessions, seducing with their raw beauty and display authentic vulnerability.

“Rituals and Paradoxes” is a companion to anyone’s own paths of self-/collective exploration- practical or intellectual. Andy Buru acts as a Virgilius, not taking down seven levels of hell as one might associate sadomasochism to, but truly accompanying the reader on a journey. His written edifice is a temple where the dark meanders of eros find light and love, in which the paradoxes are pillars and a room for rituals are formed/performed, and where the self is absorbed in the community. Pushing the comparison further, one might find that the fragments of experience that Andy Buru shares, at moment heavy and intense as incense, are counterparts of the vibrant paintings hanging in the side-choirs of a baroque church. (The dramatic lives of saints and martyrs, full of suffering and self-sacrifice, are after all early tangents to the world of bdsm).

The Reading of “Rituals and Paradoxes” could be an invitation into a sacred place with many shrines and as such be decisive or it may stay at the level of a mere tour, an exotic sight-seeing of deviancy and perversion, depending on maturity and receptiveness of the reader. One anecdote from the book (or should I qualify it as a votive picture in adoration for the Japanese culture and to which the author is so indebted?) may provide some evidence of the author’s expectations on the reader: a flower arrangement school in Japan, where everyone gets the degree, but you would, by paying proper attention, be aware of if you actually got to the deeper sense or not.

I think that the strength of the book comes from this sensible approach, where the mystery, despite being unfold for us and made available in words, by the end of the day needs to be “felt” as well, or to paraphrase the first paradox, “to be”. Regardless of your previous experience in bdsm or more generally within sex, or your degree of self-knowledge, the book has nonetheless something essential to offer as an invitation to discover or further explore the vast inner universe that is yourself and your sexuality, but also, by making you sensible to the esoteric dimensions involved in bdsm and thus to elevate your practice to a profoundly metaphysical act.

Yes, Andy, maybe I will take your hand, and follow you, I am not scared, you got me.