Who is it for? As a beginner, it is common to focus on oneself, especially when the submissive end of the polarity is calling. Do I selfishly enjoy spanking? Bondage? Rougher sex? Tease and denial? What do I want? It often goes hand in hand with exploring exhibitionism, which is being seen in one’s sexuality and learning how to be in focus. In my Japanese bondage, a recurring theme is that exposure brings vulnerability because there is often much shame attached to feeling pleasure. The strange combination of consensus culture and striving for individuality in Sweden creates a dynamic of wanting to be seen but not wanting to be different and yet still looking to be unique. All about me. But what happens when one turns that attention away from oneself and endeavours to serve and voyeur?

Imagine the following. You arrive an hour before the dinner. You have already eaten, as instructed. You have been invited to the dinner, but not for the food. Instead, a leather neck corset is half-covering your face and a white linen apron marks your purpose this evening. Your task is organising the guests’ shoes, and to keep your gaze angled downwards. You are curious about the guests, but don’t dare to show it. So you watch their feet passing you by. How someone walks, what socks they deem fitting for such an intimate evening, how their leather shoes are cared for, and if they put them away neatly, casually, or just leave them for you to find. 

Finding Myself In Another’s Fantasy

Being in service can be described as being an extension of another’s fantasy. It is voyeuristic because it’s supporting someone else’s desire and being completely focused on them, sometimes even without being at the centre of attention. It also comes with the relief of responsibility. That someone else is the pervert. Of course, one must be curious about the serving scenario before entering it, but that is simply part of being conscious and consensual. Once inside, the invitation is to place the focus outside oneself.

Serving is an opportunity to let go of deciding why to do something, and whether or not what happens next fits in the grand scheme of things or not. Or if the effort is maybe even worthy of the pleasure it provides. All one has to do is to provide the service—the doing. The tasks can include simple duties, like organising shoes, serving drinks, and acting as a human chandelier. Or more specialised tasks, like giving a pleasurable massage, delivering a flogging to another submissive, and entertaining with a sensual dance. Perfecting the job becomes exhibitionistic because the submissive turns into a fetishised object. Practising protocol with the proper uniform, posture, and behaviour becomes a play in itself.

Sadomasochistic service shines in the context of a group where one gets to serve directly through practical tasks and indirectly by contributing to the ambience of a space. The people of a ritual are always more important than any material object, but something paradoxical happens when a person (that is more important than the thing) takes on the thing’s function. They either lower themselves to the object’s position or raise the object’s function to a human level by giving it the gift of life. Stepping into the role of a servant, one can fully dedicate themselves to this rather than fulfilling their private desires. For example, in a ceremonial space I created for a private audience, we washed the feet of everyone entering the room. A handful of people spent hours devoting themselves to serving each and every guest. Afterwards, the feedback we received was that this was the most profound experience of the entire evening – for all involved, regardless of whether or not they were washing others’ feet or getting their feet cleaned. Sure, expensive furniture, ornate fabrics and flowers, and unique art help but are not comparable to human devotion.

40 

Standard Edition. Paperback. 499 pages.


20 

80Mb 7-day digital download. 499 pages.

It took forever, but my book is finally available—either as a printed paperback or a downloadable PDF. Watch the trailer on the left!

Dear unknown friend, to access the adult-rated material you must create a free account and log in. This is due to social media and their algorithms. Sorry for the inconvenience.

FIRST PARADOX

BEING AND DOING

SECOND PARADOX

SELF-SACRIFICE

AND SELFISHNESS

THIRD PARADOX

SELFISHNESS AND

HOLDING SPACE

FOURTH PARADOX

UNITY AND POLARITY

FIFTH PARADOX

SYMBOLS AND REALITY

FIRST RITUAL

SUBMISSION

SECOND RITUAL

DEVOTION

THIRD RITUAL

REJECTION

FOURTH RITUAL

DESIRE

FIFTH RITUAL

DEATH

“M”

Rituals and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism by Andy Buru.

“Take my hand, follow me, be not scared, I got you”

“You do not need another guru, do not follow the man with a beard”- the words echoe in my mind when I start reading “Ritual and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism” by Andy Buru, professional Japanese rope bondage practionner/teacher: besides almost being named guru, he indubitably takes a position of authority by publishing himself, and considering the subject matter and that I do in fact have some first hand experience of Andy (double-entendre intended) – should I not be a bit scared and keep distance?

Drawing from his extensive experience as teacher, body worker and personal life, Andy approaches the subject through a set of paradoxes that are defining sadomasochism, or “eroticization of pain and power”. These paradoxes create polarities which sadomasochism explores through careful and compassionate play with the inherent tensions that varies between individuals and the power dynamics of ”dominant/submissive”. The resulting book, a solid block of nearly 500 pages, reaches however far beyond an introduction into bdsm, a guidebook, or a collection of personal reflections.

Instead, the aim is to bring attention on esoteric qualities of sadomasochism, as in the ritualization of sexuality towards enlightenment or union with God/Divine. Sadomasochism, with its inherent polarities, has according to the author a high potentiality to address deeper needs usually associated with spirituality, such as belonging, submission, self-sacrifice, and devotion, which according to the narrative are not promoted in our pleasure-seeking western societies (“joy joy lala land”) that mostly focus on achievement and selfishness, on “doing”. The sadomasochism that Andy presents and cultivates provide thus as a contrast a safe playground to discover or further dive into meaningful and transformational states of being.

So what am I holding in my hands? First of all I cannot hinder to be seduced by the format and structure. After all, the presentation is significant when your topic is rituals, and the writing project in itself is introduced as mystic for the author: a compact volume beautifully segmented all in black and white by the paradoxes that define sadomasochism, visually chaptering the thought in numbered lemmas/verses, accompanying poetic lines followed by a clear, straightforward prose, occasionally punctuated by Andy Buru’s warm humour, at the rhythm of sneak peaks into his very intimate (at times thick and sick) diary. Abstract concepts are both cleverly illustrated and made tangible through illustrations and a selection of tastefully curated photographies taken by the author himself during his sessions, seducing with their raw beauty and display authentic vulnerability.

“Rituals and Paradoxes” is a companion to anyone’s own paths of self-/collective exploration- practical or intellectual. Andy Buru acts as a Virgilius, not taking down seven levels of hell as one might associate sadomasochism to, but truly accompanying the reader on a journey. His written edifice is a temple where the dark meanders of eros find light and love, in which the paradoxes are pillars and a room for rituals are formed/performed, and where the self is absorbed in the community. Pushing the comparison further, one might find that the fragments of experience that Andy Buru shares, at moment heavy and intense as incense, are counterparts of the vibrant paintings hanging in the side-choirs of a baroque church. (The dramatic lives of saints and martyrs, full of suffering and self-sacrifice, are after all early tangents to the world of bdsm).

The Reading of “Rituals and Paradoxes” could be an invitation into a sacred place with many shrines and as such be decisive or it may stay at the level of a mere tour, an exotic sight-seeing of deviancy and perversion, depending on maturity and receptiveness of the reader. One anecdote from the book (or should I qualify it as a votive picture in adoration for the Japanese culture and to which the author is so indebted?) may provide some evidence of the author’s expectations on the reader: a flower arrangement school in Japan, where everyone gets the degree, but you would, by paying proper attention, be aware of if you actually got to the deeper sense or not.

I think that the strength of the book comes from this sensible approach, where the mystery, despite being unfold for us and made available in words, by the end of the day needs to be “felt” as well, or to paraphrase the first paradox, “to be”. Regardless of your previous experience in bdsm or more generally within sex, or your degree of self-knowledge, the book has nonetheless something essential to offer as an invitation to discover or further explore the vast inner universe that is yourself and your sexuality, but also, by making you sensible to the esoteric dimensions involved in bdsm and thus to elevate your practice to a profoundly metaphysical act.

Yes, Andy, maybe I will take your hand, and follow you, I am not scared, you got me.