The breath is a powerful tool that can influence how we experience pain, intense sensations and sacrifice. It has been practised for thousands of years in various esoteric schools, such as pranayama in yoga, holotropic breathwork in new-age hippie circles, and cold water breathing for health enthusiasts. The idea is that by altering our breathing patterns, we can change the hormonal cocktail in our brain and other bodily functions. Although we can’t tell our brain to produce more dopamine or endorphins, we can easily alter our breathing to achieve similar effects. Learning to control your breath is like learning to ride a bike: it takes patience and exercise at first, but it eventually becomes muscle memory and second nature. 

As a result, switching from one technique of breathwork to another can take much effort. For example, it may seem impossible to switch from yoga breathing, which involves an in-breath of muscle tension and an out-breath of relaxation, to Pilates breathing, which is the opposite. However, the effects of these techniques are similar enough that any differences only matter if one is very dogmatic.

Breathing and the Nervous System

There are two techniques that can be used to affect the nervous system: raising activation and lowering it. The medical term for raising activation is arousal, which refers to more than just sexual arousal. Increasing arousal makes the body more present, stronger, and more rational. Physiologically, this is demonstrated by an increased heart rate and breathing rhythm, as well as the temporary suspension of non-vital bodily functions like digestion. Lowering the arousal makes the body more relaxed, dreamy, and accepting. Ideally, a person’s nervous system should be flexible and able to adapt arousal levels to meet their current needs, which is a sign of good physical and mental health. Trauma and stress can lead the nervous system to act uncontrollably or, in the worst cases, to either extreme activation or complete shutdown. 

I see the play of breath as a miniature play in the larger context of sadomasochism. As the dominant, it’s vital to be attentive to the breathing patterns of the submissive. Increasing the intensity of whipping will likely increase the activation of the nervous system and likely trigger the release of endorphins or dopamine. Look at this as challenging the submissive to let go deeper. Slowing down the breathing by placing a reassuring hand on the chest is a gesture of relaxation and safety. Similarly, the submissive can change their breath to intensify sensations or aid the body to surrender to more intensity.

Belly, Chest and Throat

The breath happens in three different areas of the body: the belly, the chest and the throat. Deep, slow breathing into the stomach gives rise to a sense of safety. Rapid breathing through the throat, on the other hand, tends to increase arousal. Try it yourself. Whether it’s panic or orgasm is up to the brain’s interpretation. Chest breathing is somewhere in between. Mouth breathing can heighten arousal, while using the nose has the opposite effect. Bondage can also manipulate breathing, such as by tying around the belly to block the diaphragm muscle from working or locking the head bent backwards so that throat muscles can’t pull more air into the lungs. Leather bondage gear is another way of achieving similar results, like wearing a strict corset or tight hood. Of course, this is a hasty generalisation, and proper study of breath and body mechanics can take years. My knowledge of anatomy from my medical massage training helped me to apply this knowledge to bondage.

Beyond the physical effects of breathing, it can also shift the focus of awareness. For many people, different areas of the body are associated with different emotional aspects of life. For example, for many esoteric practitioners, there is a massive difference between breathing into one’s heart or genitals. Although we all share some cultural aspects, the relationship between the physical and emotional body varies from person to person. Some mindfulness practices involve using the breath to scan the body for pain or discomfort, and responding to them with acceptance and love instead of avoidance and fear.

Understanding Pain Through Breath

However, the experience of pain and intensity is entirely subjective. No one else can feel your pain, and there is no measurable way to express one’s pain. This makes pain a very lonely experience. In medical massage therapy, clients are commonly ask to grade their pain on a scale of one to ten, as some techniques can be very painful while others should only be relaxing. When we started meeting clients in our practice clinic, a new expression was born: the ‘old man five’. When pushing deep into one gentleman’s trigger points, he was squirming on the table as if he was about to die, and yet through his clenched jaws, he sputtered.

Five! It’s a fucking five!

On the other hand, pain’s mysterious and subjective nature brings it a depth and fascination, particularly as it forms such an intimate bond between people. I’ve met the thankful gaze of many teary-eyed older men after sharing their experience of pain, as if understanding them, just for a moment there on the massage table. In comparison, language is much more defined and, therefore, less mystical. Still, we speak about experiencing pain in all aspects of life, from accidentally kicking the door frame to the heartbreak of losing a loved one.

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Standard Edition. Paperback. 499 pages.


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80Mb 7-day digital download. 499 pages.

It took forever, but my book is finally available—either as a printed paperback or a downloadable PDF. Watch the trailer on the left!

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FIRST PARADOX

BEING AND DOING

SECOND PARADOX

SELF-SACRIFICE

AND SELFISHNESS

THIRD PARADOX

SELFISHNESS AND

HOLDING SPACE

FOURTH PARADOX

UNITY AND POLARITY

FIFTH PARADOX

SYMBOLS AND REALITY

FIRST RITUAL

SUBMISSION

SECOND RITUAL

DEVOTION

THIRD RITUAL

REJECTION

FOURTH RITUAL

DESIRE

FIFTH RITUAL

DEATH

“M”

Rituals and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism by Andy Buru.

“Take my hand, follow me, be not scared, I got you”

“You do not need another guru, do not follow the man with a beard”- the words echoe in my mind when I start reading “Ritual and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism” by Andy Buru, professional Japanese rope bondage practionner/teacher: besides almost being named guru, he indubitably takes a position of authority by publishing himself, and considering the subject matter and that I do in fact have some first hand experience of Andy (double-entendre intended) – should I not be a bit scared and keep distance?

Drawing from his extensive experience as teacher, body worker and personal life, Andy approaches the subject through a set of paradoxes that are defining sadomasochism, or “eroticization of pain and power”. These paradoxes create polarities which sadomasochism explores through careful and compassionate play with the inherent tensions that varies between individuals and the power dynamics of ”dominant/submissive”. The resulting book, a solid block of nearly 500 pages, reaches however far beyond an introduction into bdsm, a guidebook, or a collection of personal reflections.

Instead, the aim is to bring attention on esoteric qualities of sadomasochism, as in the ritualization of sexuality towards enlightenment or union with God/Divine. Sadomasochism, with its inherent polarities, has according to the author a high potentiality to address deeper needs usually associated with spirituality, such as belonging, submission, self-sacrifice, and devotion, which according to the narrative are not promoted in our pleasure-seeking western societies (“joy joy lala land”) that mostly focus on achievement and selfishness, on “doing”. The sadomasochism that Andy presents and cultivates provide thus as a contrast a safe playground to discover or further dive into meaningful and transformational states of being.

So what am I holding in my hands? First of all I cannot hinder to be seduced by the format and structure. After all, the presentation is significant when your topic is rituals, and the writing project in itself is introduced as mystic for the author: a compact volume beautifully segmented all in black and white by the paradoxes that define sadomasochism, visually chaptering the thought in numbered lemmas/verses, accompanying poetic lines followed by a clear, straightforward prose, occasionally punctuated by Andy Buru’s warm humour, at the rhythm of sneak peaks into his very intimate (at times thick and sick) diary. Abstract concepts are both cleverly illustrated and made tangible through illustrations and a selection of tastefully curated photographies taken by the author himself during his sessions, seducing with their raw beauty and display authentic vulnerability.

“Rituals and Paradoxes” is a companion to anyone’s own paths of self-/collective exploration- practical or intellectual. Andy Buru acts as a Virgilius, not taking down seven levels of hell as one might associate sadomasochism to, but truly accompanying the reader on a journey. His written edifice is a temple where the dark meanders of eros find light and love, in which the paradoxes are pillars and a room for rituals are formed/performed, and where the self is absorbed in the community. Pushing the comparison further, one might find that the fragments of experience that Andy Buru shares, at moment heavy and intense as incense, are counterparts of the vibrant paintings hanging in the side-choirs of a baroque church. (The dramatic lives of saints and martyrs, full of suffering and self-sacrifice, are after all early tangents to the world of bdsm).

The Reading of “Rituals and Paradoxes” could be an invitation into a sacred place with many shrines and as such be decisive or it may stay at the level of a mere tour, an exotic sight-seeing of deviancy and perversion, depending on maturity and receptiveness of the reader. One anecdote from the book (or should I qualify it as a votive picture in adoration for the Japanese culture and to which the author is so indebted?) may provide some evidence of the author’s expectations on the reader: a flower arrangement school in Japan, where everyone gets the degree, but you would, by paying proper attention, be aware of if you actually got to the deeper sense or not.

I think that the strength of the book comes from this sensible approach, where the mystery, despite being unfold for us and made available in words, by the end of the day needs to be “felt” as well, or to paraphrase the first paradox, “to be”. Regardless of your previous experience in bdsm or more generally within sex, or your degree of self-knowledge, the book has nonetheless something essential to offer as an invitation to discover or further explore the vast inner universe that is yourself and your sexuality, but also, by making you sensible to the esoteric dimensions involved in bdsm and thus to elevate your practice to a profoundly metaphysical act.

Yes, Andy, maybe I will take your hand, and follow you, I am not scared, you got me.