Once, I ran into an old passage from the Aṅguttara Nikāya, an early Buddhist text from 28 BC – It states the following.

These eight worldly conditions, monks, keep the world turning around, and the world turns around these eight worldly conditions. What eight? Gain and loss, fame and disrepute, praise and blame, pleasure and pain….

Anguttara Nikāya

This to me describes four polarities; they are essential in sadomasochistic play. The Buddha likely referred to them in the real-life world, maybe even as something negative, but like all knowledge about the macro, it is also often applied to the micro. They can be understood as four languages of power.

Pleasure and Pain, Gain and Loss

I like to order them from the body to the soul, placing the pleasure and pain polarity first, closest to the body. I believe that this is where most people start their journey into sadomasochism. First, it is the whips and vibrators that stimulate the skin and insides. Pain is punishment, and pleasure is the reward. Simple. Next is gain and loss, an abstraction of pleasure and pain. One that requires a deeper level of trust between the dominant and the submissive. Because the dominant is no longer ‘only’ manipulating their partner’s senses, they now own a system that holds power. By consenting to this, the submissive deepens the power dynamic’s polarity. As sadomasochism often starts in pleasure and pain, that becomes the most logical thing to define as a system. For example, orgasm control or tease-and-denial is a widespread practice where the submissive gains or loses permission to orgasm. The same principle can easily be extended to allowing and denying particular clothing, foods, or hobby activities.

Praise and Blame, Fame and Disrepute

Praise and blame are a further abstraction of the previous polarity of gain and loss. Here the submissive starts to increase the value of the dominant’s opinion. To what extent this happens is a spectrum that can range from merely listening attentively to prioritising it over their own. An example here is calling your partner ‘a good boy’ or ‘a filthy slut’. Dirty talk can be seen as acting out the polarity of praise and blame. Suppose you, as the reader, have difficulty understanding why anyone would enjoy this. In that case, I can tell you it is about permission – to be allowed to act out a side of oneself that one usually represses. The most significant difference between praise-blame and gain-loss is the boundary of the ego; therefore, there is a vast difference between the two following sentences.

No candy before dinner.

Only stupid slaves eat candy before dinner.

Because the second sentence also defines who they are as a submissive – in this case, a stupid one.

From here, it borders the fourth polarity of fame and disrepute. Because now, it also matters who knows about the power dynamic. A popular expression of this is walking collared in a ritual or even a public space, perhaps with a dog tag saying ‘Property of …’ Or by posting pictures online with similar words written on the body. All these examples might look negative to an outsider, but they often are owned with pride for the level of trust they imply; this level of polarity far exceeds that found in more physical expressions of dominance such as spanking or light BDSM play.

What’s The Right Level For You?

I want to encourage others to play with all these levels of abstraction but also to know how they impact the psyche and sense of self. Human beings are flock animals, and fame-disrepute defines us in that context, while pleasure-pain is something that ‘only’ happens in the body. There is a saying – what goes up must come down – and playing with fame-disrepute and blame-praise will often push most people further than pain-pleasure and gain-loss. The question to ask, therefore, is just how seriously but also dangerously do you want to play? After all, a silly, joyful spanking might be just the thing that’s needed.

I’ve given enough warnings, but there is another perspective to consider, the flip side of this coin. I’ve noticed that many people tend to get stuck at the most basic level of abstraction when it comes to sadomasochism. They believe that a little spanking is all it has to offer. However, there is a vast opportunity here for deepening trust with a partner, forming a more energetic polarity, and engaging in intriguing power play. And as a medical massage therapist, I believe it’s important to reduce the forceful impact on the body and shift the focus to the soul. By doing so, we can achieve a more profound level of intimacy with our partner.

40 

Standard Edition. Paperback. 499 pages.


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80Mb 7-day digital download. 499 pages.

It took forever, but my book is finally available—either as a printed paperback or a downloadable PDF. Watch the trailer on the left!

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FIRST PARADOX

BEING AND DOING

SECOND PARADOX

SELF-SACRIFICE

AND SELFISHNESS

THIRD PARADOX

SELFISHNESS AND

HOLDING SPACE

FOURTH PARADOX

UNITY AND POLARITY

FIFTH PARADOX

SYMBOLS AND REALITY

FIRST RITUAL

SUBMISSION

SECOND RITUAL

DEVOTION

THIRD RITUAL

REJECTION

FOURTH RITUAL

DESIRE

FIFTH RITUAL

DEATH

“M”

Rituals and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism by Andy Buru.

“Take my hand, follow me, be not scared, I got you”

“You do not need another guru, do not follow the man with a beard”- the words echoe in my mind when I start reading “Ritual and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism” by Andy Buru, professional Japanese rope bondage practionner/teacher: besides almost being named guru, he indubitably takes a position of authority by publishing himself, and considering the subject matter and that I do in fact have some first hand experience of Andy (double-entendre intended) – should I not be a bit scared and keep distance?

Drawing from his extensive experience as teacher, body worker and personal life, Andy approaches the subject through a set of paradoxes that are defining sadomasochism, or “eroticization of pain and power”. These paradoxes create polarities which sadomasochism explores through careful and compassionate play with the inherent tensions that varies between individuals and the power dynamics of ”dominant/submissive”. The resulting book, a solid block of nearly 500 pages, reaches however far beyond an introduction into bdsm, a guidebook, or a collection of personal reflections.

Instead, the aim is to bring attention on esoteric qualities of sadomasochism, as in the ritualization of sexuality towards enlightenment or union with God/Divine. Sadomasochism, with its inherent polarities, has according to the author a high potentiality to address deeper needs usually associated with spirituality, such as belonging, submission, self-sacrifice, and devotion, which according to the narrative are not promoted in our pleasure-seeking western societies (“joy joy lala land”) that mostly focus on achievement and selfishness, on “doing”. The sadomasochism that Andy presents and cultivates provide thus as a contrast a safe playground to discover or further dive into meaningful and transformational states of being.

So what am I holding in my hands? First of all I cannot hinder to be seduced by the format and structure. After all, the presentation is significant when your topic is rituals, and the writing project in itself is introduced as mystic for the author: a compact volume beautifully segmented all in black and white by the paradoxes that define sadomasochism, visually chaptering the thought in numbered lemmas/verses, accompanying poetic lines followed by a clear, straightforward prose, occasionally punctuated by Andy Buru’s warm humour, at the rhythm of sneak peaks into his very intimate (at times thick and sick) diary. Abstract concepts are both cleverly illustrated and made tangible through illustrations and a selection of tastefully curated photographies taken by the author himself during his sessions, seducing with their raw beauty and display authentic vulnerability.

“Rituals and Paradoxes” is a companion to anyone’s own paths of self-/collective exploration- practical or intellectual. Andy Buru acts as a Virgilius, not taking down seven levels of hell as one might associate sadomasochism to, but truly accompanying the reader on a journey. His written edifice is a temple where the dark meanders of eros find light and love, in which the paradoxes are pillars and a room for rituals are formed/performed, and where the self is absorbed in the community. Pushing the comparison further, one might find that the fragments of experience that Andy Buru shares, at moment heavy and intense as incense, are counterparts of the vibrant paintings hanging in the side-choirs of a baroque church. (The dramatic lives of saints and martyrs, full of suffering and self-sacrifice, are after all early tangents to the world of bdsm).

The Reading of “Rituals and Paradoxes” could be an invitation into a sacred place with many shrines and as such be decisive or it may stay at the level of a mere tour, an exotic sight-seeing of deviancy and perversion, depending on maturity and receptiveness of the reader. One anecdote from the book (or should I qualify it as a votive picture in adoration for the Japanese culture and to which the author is so indebted?) may provide some evidence of the author’s expectations on the reader: a flower arrangement school in Japan, where everyone gets the degree, but you would, by paying proper attention, be aware of if you actually got to the deeper sense or not.

I think that the strength of the book comes from this sensible approach, where the mystery, despite being unfold for us and made available in words, by the end of the day needs to be “felt” as well, or to paraphrase the first paradox, “to be”. Regardless of your previous experience in bdsm or more generally within sex, or your degree of self-knowledge, the book has nonetheless something essential to offer as an invitation to discover or further explore the vast inner universe that is yourself and your sexuality, but also, by making you sensible to the esoteric dimensions involved in bdsm and thus to elevate your practice to a profoundly metaphysical act.

Yes, Andy, maybe I will take your hand, and follow you, I am not scared, you got me.