It’s a warm buzzing night in the early springtime, just a few weeks before the schools and factories break for a well-deserved vacation. For some years, I’ve rented a rustic cellar two floors underground in a back alley in Stockholm’s old town. Built initially as coal storage that then got refurbished into a bomb shelter in preparation for the cold war, it now hosts a variety of alternative therapies, the breathing and screaming kind. This semester, I have offered there a weekly open class on ceremonial sadomasochism. 

Three culverts connect in a spiralling shape, and at the centre, there is a tiny room with the floors, walls and ceiling covered in mattresses. I’ve often lain in this room, lights turned off, and all sounds from the outside streets muffled by the thick brick walls and layers of earth and concrete. All sounds inside are soaked up by the soft cocoon around me. While I float in this hidden heart, I can only hear my lonely heart beating back. For some reason, I had booked the place one more night than needed. It’s all paid for. And the space will be empty until the next morning’s yoga class. So I call you and ask if you want to spend the night with me in the pitch-black underworld. At first, you are hesitant and ask precisely what we will do, alone, down there?

We meet outside the iron cellar door. You are dressed in a short skirt, a vintage blouse that may be ripped and knee-high socks. With your hair in a high ponytail, you play the role well, looking like a teenage sophomore from the local witch coven who accidentally is about to summon the beast. 

I suggest we turn all electric lights off and place a circle of twenty-one candles around a single mattress at the centre of the underworld. I’ll lay down naked, lifeless, and you will massage my body. Eventually, you’ll turn me around and make my cock hard. I’ll do my best to stay completely passive. Once I’m ready to explode, you will move away from my body and blow out the candles one by one. Counterclockwise. When the last flame goes out, I’ll return to life and hunt you in the darkness. I’ll be the predator, and you’ll be my prey. You may run, hide or fight. If I catch you, I’ll bite onto your flesh, rip your clothes and push my cock deep inside you. 

I can feel your heart beating close to mine. You are scared. I pounce and land on top of you. Nails digging into your thighs, ripping your socks. You kick, kick, kick at me and manage to crawl away. In muted slow motion, we move together as in a dance; I follow your panting breath. Deeper and deeper back into the maze. All of a sudden, your movement stops. Trapped against the wall. This time I grab for your hair. Catch it and pull you down onto the floor. You fight, and I slap you hard. I feel my hand land on your buttocks, which is safe, so I hit you again and again. Until your resistance stops. 

Dragged back into the mattressed room, you repeat your mantra over and over again. 1, 2, 3, you may do whatever you want to with me. 4, 5, 6, no one will miss my silly tricks. 7, 8, 9, you are my divine. While I penetrate you deeper and deeper. You are my dearest possession. Hidden in the middle of the maze. Like a little bird singing your song in a golden cage.

Later, when we turn the lights back on, you gasp in shock, then giggle before bursting out in laughter. My face is covered in dried blood, and my nose is slightly bent. Most likely from your kicking me. We follow the blood trail outside, red handprints on white cellar walls. We joke about if the police, for some reason, would ever go to this place with a blacklight. How it would light up like a horror movie. You dip your finger in my bloody nose and draw on the wall ‘R <3 A’ before we spend the next few hours wiping everything clean again.

40 

Standard Edition. Paperback. 499 pages.


20 

80Mb 7-day digital download. 499 pages.

It took forever, but my book is finally available—either as a printed paperback or a downloadable PDF. Watch the trailer on the left!

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FIRST PARADOX

BEING AND DOING

SECOND PARADOX

SELF-SACRIFICE

AND SELFISHNESS

THIRD PARADOX

SELFISHNESS AND

HOLDING SPACE

FOURTH PARADOX

UNITY AND POLARITY

FIFTH PARADOX

SYMBOLS AND REALITY

FIRST RITUAL

SUBMISSION

SECOND RITUAL

DEVOTION

THIRD RITUAL

REJECTION

FOURTH RITUAL

DESIRE

FIFTH RITUAL

DEATH

“M”

Rituals and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism by Andy Buru.

“Take my hand, follow me, be not scared, I got you”

“You do not need another guru, do not follow the man with a beard”- the words echoe in my mind when I start reading “Ritual and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism” by Andy Buru, professional Japanese rope bondage practionner/teacher: besides almost being named guru, he indubitably takes a position of authority by publishing himself, and considering the subject matter and that I do in fact have some first hand experience of Andy (double-entendre intended) – should I not be a bit scared and keep distance?

Drawing from his extensive experience as teacher, body worker and personal life, Andy approaches the subject through a set of paradoxes that are defining sadomasochism, or “eroticization of pain and power”. These paradoxes create polarities which sadomasochism explores through careful and compassionate play with the inherent tensions that varies between individuals and the power dynamics of ”dominant/submissive”. The resulting book, a solid block of nearly 500 pages, reaches however far beyond an introduction into bdsm, a guidebook, or a collection of personal reflections.

Instead, the aim is to bring attention on esoteric qualities of sadomasochism, as in the ritualization of sexuality towards enlightenment or union with God/Divine. Sadomasochism, with its inherent polarities, has according to the author a high potentiality to address deeper needs usually associated with spirituality, such as belonging, submission, self-sacrifice, and devotion, which according to the narrative are not promoted in our pleasure-seeking western societies (“joy joy lala land”) that mostly focus on achievement and selfishness, on “doing”. The sadomasochism that Andy presents and cultivates provide thus as a contrast a safe playground to discover or further dive into meaningful and transformational states of being.

So what am I holding in my hands? First of all I cannot hinder to be seduced by the format and structure. After all, the presentation is significant when your topic is rituals, and the writing project in itself is introduced as mystic for the author: a compact volume beautifully segmented all in black and white by the paradoxes that define sadomasochism, visually chaptering the thought in numbered lemmas/verses, accompanying poetic lines followed by a clear, straightforward prose, occasionally punctuated by Andy Buru’s warm humour, at the rhythm of sneak peaks into his very intimate (at times thick and sick) diary. Abstract concepts are both cleverly illustrated and made tangible through illustrations and a selection of tastefully curated photographies taken by the author himself during his sessions, seducing with their raw beauty and display authentic vulnerability.

“Rituals and Paradoxes” is a companion to anyone’s own paths of self-/collective exploration- practical or intellectual. Andy Buru acts as a Virgilius, not taking down seven levels of hell as one might associate sadomasochism to, but truly accompanying the reader on a journey. His written edifice is a temple where the dark meanders of eros find light and love, in which the paradoxes are pillars and a room for rituals are formed/performed, and where the self is absorbed in the community. Pushing the comparison further, one might find that the fragments of experience that Andy Buru shares, at moment heavy and intense as incense, are counterparts of the vibrant paintings hanging in the side-choirs of a baroque church. (The dramatic lives of saints and martyrs, full of suffering and self-sacrifice, are after all early tangents to the world of bdsm).

The Reading of “Rituals and Paradoxes” could be an invitation into a sacred place with many shrines and as such be decisive or it may stay at the level of a mere tour, an exotic sight-seeing of deviancy and perversion, depending on maturity and receptiveness of the reader. One anecdote from the book (or should I qualify it as a votive picture in adoration for the Japanese culture and to which the author is so indebted?) may provide some evidence of the author’s expectations on the reader: a flower arrangement school in Japan, where everyone gets the degree, but you would, by paying proper attention, be aware of if you actually got to the deeper sense or not.

I think that the strength of the book comes from this sensible approach, where the mystery, despite being unfold for us and made available in words, by the end of the day needs to be “felt” as well, or to paraphrase the first paradox, “to be”. Regardless of your previous experience in bdsm or more generally within sex, or your degree of self-knowledge, the book has nonetheless something essential to offer as an invitation to discover or further explore the vast inner universe that is yourself and your sexuality, but also, by making you sensible to the esoteric dimensions involved in bdsm and thus to elevate your practice to a profoundly metaphysical act.

Yes, Andy, maybe I will take your hand, and follow you, I am not scared, you got me.