Before digging deeper into the complexity of on-the-fly consent, let’s stand on the pulpit and deliver a small sermon about how to offer and to receive a ‘no’. The First Commandment here would be that a ‘no’ must always be met with a ‘thank you’. Thank you for not letting me abuse you. Thank you for your honesty. Thank you for protecting your boundaries. Thank you for making me feel safe dominating you, etc. 

Learning how to say no is learning how to say yes. It is knowing oneself and one’s automatic responses to unwanted situations, be that expressed in fawning, fighting, flighting or freezing. This is great knowledge to have about yourself and your partner. Because these responses can sometimes be partially hidden in one corner on the extreme end of a spectrum or emerge wildly on the other; for example anywhere between agreeable to codependent, from tensing to brawling, from withdrawal to panic, from numb to apathetic. Knowing one’s boundaries and being able to communicate them is a great gift. Hallelujah!

I believe the most fundamental goal of the dominant-submissive dynamic is to stay inside the sadomasochistic play. To maintain the shared fantasy, so to speak. Therefore, any communication that aids in maintaining that frame is helpful – as well as an act of submission. This is a constructive way to relate to the concept of ‘no’. Two things are immensely helpful in achieving this. 

A Shared Understanding On What’s At Play

The first key is a shared understanding of where the focus lies in the sadomasochistic play at hand. For example, is the focus the fingers I’m sucking in my mouth, the spanking I’m receiving while counting and saying thank you, or the challenging position I’m being tied in? Once the submissive understands the focus of the play, they can communicate when any element threatens to take awareness away from it. For instance, the painful knot under the submissive’s foot may detract from the finger-sucking. Very likely, the dominant forgot making that pesky knot in the first place and needs the submissive’s help to know. This is not a ‘no’ to the knot under the foot but rather a ‘yes’ to the sucking of fingers. The aim is to plunge deeper into the dynamic, but it also requires the dominant to be clear about their actions’ intentions.

The second key is communicating what is happening without the submissive expecting a specific reaction from the dominant. So they may plead to be relieved from the pesky knot but be OK with a response anywhere from a ‘stop bitching’ and a slap in the face to an ‘oh I’m sorry darling, but you are cute when suffering’ or to the knot simply being untied. 

There’s a spectrum between being informative and stating an overt ‘no’, and where one finds oneself along this scale at any given time depends greatly on trust – trust that the dominant can deal with the consequences of their own actions. This is true no matter if the dominant chooses for the submissive to withstand the hardship or acts to change or alleviate it. A situation can become pretty extreme when a long-term play partner whispers to me that they shall soon pass out if they remain in a certain position any longer, and they are OK with passing out as they trust me to bring them down safely in any case. This doesn’t often occur, however, as making people pass out is over the edge for me as a dominant. 

Knowing That The Dominant Knows Is Often Enough

Sometimes, just knowing that the dominant knows the actual state of the submissive is enough to make the suffering meaningful. That is, knowing that the pesky knot under the foot is intentional in the placing of it or in deciding to keep it there even after the information about how bad it hurts has been given. There should be a clear distinction between saying ‘no’ and giving information. A stopword, the hard ‘no’ breaks the frame. That’s its whole point. Simply giving information can easily be part of the sadomasochistic play.

Another way for the submissive to deal with communicating boundaries is by ‘opting in’ instead of ‘opting out’. This means actively engaging or encouraging the play, like leaning in closer, looking for eye contact, and whispering a thank you. And being open and transparent about one’s feelings, like crying when things are hard or moaning when things are sexy, rather than avoiding the show of emotions. Some submissives may find this scary as it requires vulnerability. Continuously opting in will create a noticeable change if the submissive suddenly starts fighting to fend the dominant off, tries to get loose to flee the room, or becomes utterly passive in an apathetic freeze. However, ‘fawning’ doesn’t work in this scenario. Fawning is when one unconsciously adapts to another’s demands without consent, which may lead to a different kind of uncomfortable situation.

As a dominant, you can smoothly help in the creation of opt-in situations for your submissive. For example, sometimes I tell this fictitious story about how I would pee on a new play partner without talking about it beforehand. Starting off, I would bring the focus to their mouth by gently tracing their lips’ outline. Then, I would separate them slowly with a finger, opening them up, and preparing them to receive. Next, I would start touching myself, close enough to their face so they could smell me, knowing that it’s me that they will receive. At the same time, my gaze would move from their eyes to their mouth and back. Then I would squirt slightly to their right while maintaining eye contact. Next, I would hold their hand to the left and wet it, asking them to smell and taste it. Finally, I’d return to eye contact while opening their mouth with a finger. Again, never forcing it but just implying that it should remain open, ready to receive. Now, if they kept opting in during this almost ritualistic choreography, I would feel very safe peeing.

Appearing Ambivalent

In the submissive role, the final consideration is the distance between a ‘yes’ and a ‘no’. The answer is very individual. If it’s not far enough between a yes and a no, the person comes off as ambivalent and therefore less safe to play with because a yes might turn into a no at any moment, then back again. It can be empowering for someone to feel very attuned to their yesses and nos and experience being heard and respected as they shift. But this can also be draining in a sadomasochistic play by removing focus from the existing power dynamic. The more that trust exists, the more a ‘no’ transforms into simply sharing information without expecting any specific action, therefore retaining the power dynamic. This, together with learning how to opt in, is the key to altering a scen’s direction without breaking it.

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Standard Edition. Paperback. 499 pages.


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80Mb 7-day digital download. 499 pages.

It took forever, but my book is finally available—either as a printed paperback or a downloadable PDF. Watch the trailer on the left!

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FIRST PARADOX

BEING AND DOING

SECOND PARADOX

SELF-SACRIFICE

AND SELFISHNESS

THIRD PARADOX

SELFISHNESS AND

HOLDING SPACE

FOURTH PARADOX

UNITY AND POLARITY

FIFTH PARADOX

SYMBOLS AND REALITY

FIRST RITUAL

SUBMISSION

SECOND RITUAL

DEVOTION

THIRD RITUAL

REJECTION

FOURTH RITUAL

DESIRE

FIFTH RITUAL

DEATH

“Gianina”

This book changed my life. A collection of Andy’s reflections, instruction, photography diaries, stories and lived experiences, it’s a patchwork quilt masterpiece constructed with beautiful, calm, honest prose – yet sharp and questioning, on the paradoxes one encounters in sadomasochistic practice but may not have interrogated fully before. Also his teaching manifesto, complete with practical steps for his core rituals.

To me, Rituals & Paradoxes is the very essence of Andy’s teaching but also a gift; upon reading personally, it changed my life by not only giving me the language and conceptual framework to reorientate and redefine my own expression of sexuality and sadomasochistic practice, but also through gifting me a new view of this world through Andy’s eyes. For a long time I felt like I had hit a barrier in my play. I now realise I was stuck in modalities. Now I know what I want, that it’s ok for desires and practices to contradict themselves, that paradoxes are welcome and navigating them is all part of the fun. Besides, Andy’s lens on it all invites you to share in an artist’s heart.

Buy this book if you’ve found yourself questioning ‘why’, ‘what’ and ‘how’ in your play and partner relationships. If you’ve found yourself falling through these paradoxes Andy examines. Whether you’ve completed a ritual of his before or not, discover these same rituals, or their variations, within different contexts. Regardless, buy this book for the beauty overflowing from its pages; the ache of emotion, the rapture of pleasure and the luscious nature of pain. It’s all here, in your very hands.

“M”

Rituals and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism by Andy Buru.

“Take my hand, follow me, be not scared, I got you”

“You do not need another guru, do not follow the man with a beard”- the words echoe in my mind when I start reading “Ritual and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism” by Andy Buru, professional Japanese rope bondage practionner/teacher: besides almost being named guru, he indubitably takes a position of authority by publishing himself, and considering the subject matter and that I do in fact have some first hand experience of Andy (double-entendre intended) – should I not be a bit scared and keep distance?

Drawing from his extensive experience as teacher, body worker and personal life, Andy approaches the subject through a set of paradoxes that are defining sadomasochism, or “eroticization of pain and power”. These paradoxes create polarities which sadomasochism explores through careful and compassionate play with the inherent tensions that varies between individuals and the power dynamics of ”dominant/submissive”. The resulting book, a solid block of nearly 500 pages, reaches however far beyond an introduction into bdsm, a guidebook, or a collection of personal reflections.

Instead, the aim is to bring attention on esoteric qualities of sadomasochism, as in the ritualization of sexuality towards enlightenment or union with God/Divine. Sadomasochism, with its inherent polarities, has according to the author a high potentiality to address deeper needs usually associated with spirituality, such as belonging, submission, self-sacrifice, and devotion, which according to the narrative are not promoted in our pleasure-seeking western societies (“joy joy lala land”) that mostly focus on achievement and selfishness, on “doing”. The sadomasochism that Andy presents and cultivates provide thus as a contrast a safe playground to discover or further dive into meaningful and transformational states of being.

So what am I holding in my hands? First of all I cannot hinder to be seduced by the format and structure. After all, the presentation is significant when your topic is rituals, and the writing project in itself is introduced as mystic for the author: a compact volume beautifully segmented all in black and white by the paradoxes that define sadomasochism, visually chaptering the thought in numbered lemmas/verses, accompanying poetic lines followed by a clear, straightforward prose, occasionally punctuated by Andy Buru’s warm humour, at the rhythm of sneak peaks into his very intimate (at times thick and sick) diary. Abstract concepts are both cleverly illustrated and made tangible through illustrations and a selection of tastefully curated photographies taken by the author himself during his sessions, seducing with their raw beauty and display authentic vulnerability.

“Rituals and Paradoxes” is a companion to anyone’s own paths of self-/collective exploration- practical or intellectual. Andy Buru acts as a Virgilius, not taking down seven levels of hell as one might associate sadomasochism to, but truly accompanying the reader on a journey. His written edifice is a temple where the dark meanders of eros find light and love, in which the paradoxes are pillars and a room for rituals are formed/performed, and where the self is absorbed in the community. Pushing the comparison further, one might find that the fragments of experience that Andy Buru shares, at moment heavy and intense as incense, are counterparts of the vibrant paintings hanging in the side-choirs of a baroque church. (The dramatic lives of saints and martyrs, full of suffering and self-sacrifice, are after all early tangents to the world of bdsm).

The Reading of “Rituals and Paradoxes” could be an invitation into a sacred place with many shrines and as such be decisive or it may stay at the level of a mere tour, an exotic sight-seeing of deviancy and perversion, depending on maturity and receptiveness of the reader. One anecdote from the book (or should I qualify it as a votive picture in adoration for the Japanese culture and to which the author is so indebted?) may provide some evidence of the author’s expectations on the reader: a flower arrangement school in Japan, where everyone gets the degree, but you would, by paying proper attention, be aware of if you actually got to the deeper sense or not.

I think that the strength of the book comes from this sensible approach, where the mystery, despite being unfold for us and made available in words, by the end of the day needs to be “felt” as well, or to paraphrase the first paradox, “to be”. Regardless of your previous experience in bdsm or more generally within sex, or your degree of self-knowledge, the book has nonetheless something essential to offer as an invitation to discover or further explore the vast inner universe that is yourself and your sexuality, but also, by making you sensible to the esoteric dimensions involved in bdsm and thus to elevate your practice to a profoundly metaphysical act.

Yes, Andy, maybe I will take your hand, and follow you, I am not scared, you got me.