Pain is both personal and relative. Personal because it is subjective. No one can ever feel your pain. They can empathically imagine your experience but never actually feel it. In this way, we are all utterly alone in the end. But it is also relative because how we experience pain is greatly influenced by its source. Therefore the relationship between the dominant and the submissive is fundamentally essential to one’s experience of pain. Pain can be both a selfish expression of power, as well as holding space. In my search to understand pain I have discovered three archetypical pain relationships.

Pain As A Reward

First, pain can be related to as a reward. In this type of exchange, the pain is never scary, it is seen as a service, and it can end up a rollercoaster ride to an endorphin high. It is something welcomed, and can even aid in deeper relaxation and tension release. Anyone can enjoy this kind of pain if it’s administered slowly enough, just like a firm massage. Impact usually moves gradually from light sensations to faster and heavier. 

The dominant’s role with regards to this archetype is interesting as they actually don’t need to be very dominant at all. They are mainly providing a service. There can be an ego rush to becoming so skilled in flogging that one becomes popular in the subculture. These dominants will definitely be called up a lot, but it can also be draining, and oddly empty of a fulfilling rush of power. 

This kind of play is more efficient if the submissive tilts toward surrender, where it’s more about their experience, rather than submission, where the dominant’s desire is what is mainly in focus. Intent is essential to understand from the start in each of the pain relationships, but especially the next two which get more complicated.

Pain As A Challenge

Next is using pain as a challenge, a way for the dominant to find the edges of the submissive’s comfort zones. The main drivers are curiosity for and satisfaction with sadistic tendencies. I love placing my partner in predicament bondage, where they must fight to endure my ropes. A predicament is when the submissive is forced to choose between two different sources of pain. For example, when suspended mid-air with only the tippy toes touching the ground, there is a choice between relaxing the entire body weight into the ropes, causing more pressure onto the body, or pushing with the toes to take some weight away. However, the calf muscles will get increasingly exhausted, resulting in a burning, painful sensation. Push with the toes or relax into gravity? The choice is the predicament. Burning or crushing pain? The mind also weighs whether the other option would be a little easier. Never really being able to surrender to the experience. 

Therefore, the point is to continually emphasise the helplessness of the predicament by not letting the submissive float away into their bubble of surrender but to remain present with me in their submission. Many submissives say that they could surrender to almost anyone because what they want is the physical sensation, however submission is a much more personal experience and often relegated to a select number of partners. The pain relationship is a highly personal one because who the dominant is plays a crucial role in the outcome of the experience.

The challenging pain must not be slowly escalating to give the submissive a smooth ride. But if the dominant moves too fast, they will reach the edge quickly, and the play will be short. Instead, I recommend slowly approaching the edge and seeing how many details there are to learn. For example, exactly which muscles between what ribs are needed to get enough air or precisely how hard to trap a calf to still allow the leg to take weight will give the most excruciating pain—allowing the bondage to be delicate and detailed.

Challenging and rewarding pain can sometimes overlap, and it is possible to switch between them. This way we let the submissive balance the intensity between salvation and despair. The reward can be surrender but also simple pleasure. The reasons for this differ; some people with an erotic focus on sadomasochism need sexual stimuli. Erotic masochists confuse pain and pleasure during high arousal in the nervous system while most people find that pleasure simply makes pain more bearable. Of course, they also mix and overlap as well. 

Most important to remember while exploring challenging pain is that this is done primarily for the dominant’s satisfaction. Therefore, asking the submissive if this, the sensation of pain, is enjoyable or not will instantly destroy the fantasy. An alternate question, one which maintains the fantasy, could be, Do you enjoy suffering for me? In my experience, they must find their satisfaction in the curiosity of the dominant—in wanting to submit. This is often more challenging for a dominant because they need to own that this is their desire and that they are no longer simply providing a service.

Pain As A Punishment

Finally, the third type of pain relationship is punishment, a reaction to the submissive for breaking a rule or misbehaving. Of course, it is part of a consensual and conscious play—the goal is to give pain that is not enjoyable, which is the opposite of rewarding pain. So if the reward is slow, safe, in harmony with the submissive breath, punishing pain is fast, scary, and unpredictable – one which avoids surrender. It is critical to make it unmistakable whether or not the pain is punishment or reward. I can’t stress the importance of this enough. If the aim is to make it rewarding, but the submissive interprets it as a punishment, there is trouble brewing. First of all, likely, they will not enjoy the pain because of the emotional structure around being punished. They will think they did something wrong when there was no fault. And the dominant will likely feel like a failure when a rewarding effort is received as the opposite. The intimacy will then deteriorate and with that, also the trust. The other way around is not as problematic—when the submissive perceives a punishment as a reward. In this case, they will simply not learn from their mistakes and become more likely to repeat them. In the long run, this will undermine the power dynamic.

There is one other concept, that of ‘fun-ishment’, which is to role-play a punishment for fun as a reward. I avoid this unless the play’s intention is clearly comical, like a silly act at a party for laughs. Exploring pain as a reward, a challenge or a punishment is much more attractive – as long as it is clear to both partners what is what.

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Standard Edition. Paperback. 499 pages.


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80Mb 7-day digital download. 499 pages.

It took forever, but my book is finally available—either as a printed paperback or a downloadable PDF. Watch the trailer on the left!

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FIRST PARADOX

BEING AND DOING

SECOND PARADOX

SELF-SACRIFICE

AND SELFISHNESS

THIRD PARADOX

SELFISHNESS AND

HOLDING SPACE

FOURTH PARADOX

UNITY AND POLARITY

FIFTH PARADOX

SYMBOLS AND REALITY

FIRST RITUAL

SUBMISSION

SECOND RITUAL

DEVOTION

THIRD RITUAL

REJECTION

FOURTH RITUAL

DESIRE

FIFTH RITUAL

DEATH

“M”

Rituals and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism by Andy Buru.

“Take my hand, follow me, be not scared, I got you”

“You do not need another guru, do not follow the man with a beard”- the words echoe in my mind when I start reading “Ritual and paradoxes- the intimacy of belonging in sadomasochism and esoteric eroticism” by Andy Buru, professional Japanese rope bondage practionner/teacher: besides almost being named guru, he indubitably takes a position of authority by publishing himself, and considering the subject matter and that I do in fact have some first hand experience of Andy (double-entendre intended) – should I not be a bit scared and keep distance?

Drawing from his extensive experience as teacher, body worker and personal life, Andy approaches the subject through a set of paradoxes that are defining sadomasochism, or “eroticization of pain and power”. These paradoxes create polarities which sadomasochism explores through careful and compassionate play with the inherent tensions that varies between individuals and the power dynamics of ”dominant/submissive”. The resulting book, a solid block of nearly 500 pages, reaches however far beyond an introduction into bdsm, a guidebook, or a collection of personal reflections.

Instead, the aim is to bring attention on esoteric qualities of sadomasochism, as in the ritualization of sexuality towards enlightenment or union with God/Divine. Sadomasochism, with its inherent polarities, has according to the author a high potentiality to address deeper needs usually associated with spirituality, such as belonging, submission, self-sacrifice, and devotion, which according to the narrative are not promoted in our pleasure-seeking western societies (“joy joy lala land”) that mostly focus on achievement and selfishness, on “doing”. The sadomasochism that Andy presents and cultivates provide thus as a contrast a safe playground to discover or further dive into meaningful and transformational states of being.

So what am I holding in my hands? First of all I cannot hinder to be seduced by the format and structure. After all, the presentation is significant when your topic is rituals, and the writing project in itself is introduced as mystic for the author: a compact volume beautifully segmented all in black and white by the paradoxes that define sadomasochism, visually chaptering the thought in numbered lemmas/verses, accompanying poetic lines followed by a clear, straightforward prose, occasionally punctuated by Andy Buru’s warm humour, at the rhythm of sneak peaks into his very intimate (at times thick and sick) diary. Abstract concepts are both cleverly illustrated and made tangible through illustrations and a selection of tastefully curated photographies taken by the author himself during his sessions, seducing with their raw beauty and display authentic vulnerability.

“Rituals and Paradoxes” is a companion to anyone’s own paths of self-/collective exploration- practical or intellectual. Andy Buru acts as a Virgilius, not taking down seven levels of hell as one might associate sadomasochism to, but truly accompanying the reader on a journey. His written edifice is a temple where the dark meanders of eros find light and love, in which the paradoxes are pillars and a room for rituals are formed/performed, and where the self is absorbed in the community. Pushing the comparison further, one might find that the fragments of experience that Andy Buru shares, at moment heavy and intense as incense, are counterparts of the vibrant paintings hanging in the side-choirs of a baroque church. (The dramatic lives of saints and martyrs, full of suffering and self-sacrifice, are after all early tangents to the world of bdsm).

The Reading of “Rituals and Paradoxes” could be an invitation into a sacred place with many shrines and as such be decisive or it may stay at the level of a mere tour, an exotic sight-seeing of deviancy and perversion, depending on maturity and receptiveness of the reader. One anecdote from the book (or should I qualify it as a votive picture in adoration for the Japanese culture and to which the author is so indebted?) may provide some evidence of the author’s expectations on the reader: a flower arrangement school in Japan, where everyone gets the degree, but you would, by paying proper attention, be aware of if you actually got to the deeper sense or not.

I think that the strength of the book comes from this sensible approach, where the mystery, despite being unfold for us and made available in words, by the end of the day needs to be “felt” as well, or to paraphrase the first paradox, “to be”. Regardless of your previous experience in bdsm or more generally within sex, or your degree of self-knowledge, the book has nonetheless something essential to offer as an invitation to discover or further explore the vast inner universe that is yourself and your sexuality, but also, by making you sensible to the esoteric dimensions involved in bdsm and thus to elevate your practice to a profoundly metaphysical act.

Yes, Andy, maybe I will take your hand, and follow you, I am not scared, you got me.